Miles Davis - In Person Friday Night At The Blackhawk San Francisco Volume I

Review by Nancy Dufresne

In Person Friday Night At The Blackhawk San Francisco Volume I by Miles Davis is a masterpiece that showcases the jazz legend's unmatched talent and artistry. The album, recorded live at the Blackhawk nightclub in San Francisco in 1961, captures Davis at the peak of his powers, leading his quintet through a series of mesmerizing performances.

The album opens with "Walkin'," a classic Davis composition that sets the tone for the rest of the record. Davis' trumpet playing is impeccable, and his bandmates - saxophonist Hank Mobley, pianist Wynton Kelly, bassist Paul Chambers, and drummer Jimmy Cobb - are equally impressive. The chemistry between the musicians is evident, and they play off each other with effortless grace.

The album's standout track is "So What," which showcases Davis' ability to create a mood with just a few notes. The song's haunting melody is both melancholic and uplifting, and Davis' trumpet solo is a thing of beauty. The other tracks on the album - including "All of You," "Bye Bye Blackbird," and "No Blues" - are equally impressive, and each one highlights a different aspect of Davis' musical genius.

Download Miles Davis - In Person Friday Night At The Blackhawk San Francisco Volume I

Artist: Miles Davis
Album: In Person Friday Night At The Blackhawk San Francisco Volume I

Jazz

1964

Rating: 4.25

Review
About Album
Download
Tracks
Video
Images
Catalog Numbers
Labels
Listen online
Formats
Companies
Credits
Notes
Barcodes
Summary
Comments
Related albums

Download

Filename: miles-davis-in-person-friday-night-at-the-blackhawk-san.rar

MP3 size: 56 mb
FLAC size: 336.8 mb

Download

Tracks

Track	Duration	Preview
Love I've Found You	1:59
All Of You	10:30
Bye Bye Blackbird	10:02
Love, I've Found You	1:59
Walkin'	14:20
Bye Bye	2:41
Bye Bye (Theme)	2:36
No Blues	9:09

Video

Miles Davis Quintet at the Blackhawk - If I Were a Bell

Miles Davis In Person Friday & Saturday Night At The Black Hawk Jazz reel to reel tape for sale eBay

Miles Davis Quintet at the Blackhawk - So What

Images

télécharger l'album Miles Davis - In Person Friday Night At The Blackhawk San Francisco Volume I

descargar álbum Miles Davis - In Person Friday Night At The Blackhawk San Francisco Volume I

last ned album Miles Davis - In Person Friday Night At The Blackhawk San Francisco Volume I

lataa albumi Miles Davis - In Person Friday Night At The Blackhawk San Francisco Volume I

ladda ner album Miles Davis - In Person Friday Night At The Blackhawk San Francisco Volume I

baixar álbum Miles Davis - In Person Friday Night At The Blackhawk San Francisco Volume I

Catalog Numbers

Labels

Columbia
Fontana
CBS
Sony Records Int'l
Columbia Special Products
Coronet
Sony Records
CBS/Sony
SME Records
Columbia Limited Edition

Listen online

kuunnella verkossa
online anhören
ouvir online
ascolta in linea
lyssna på nätet
online luisteren
écouter en ligne
lytte på nettet
escuchar en línea

Formats

CD
Vinyl
LP
Album
Mono
12"
Stereo
Reissue
Limited Edition
Repress
Reel-To-Reel
7 ½ ips
4-Track Stereo
7" Cine Reel
Test Pressing
Remastered
Mini LP
Pitman Pressing
Paper Sleeve
Cassette
Hollywood Pressing

Companies

Role	Company
Recorded At	Black Hawk
Printed By	Garrod & Lofthouse Ltd.
Published By	Parnes Music
Lacquer Cut At	Philips Records Ltd.
Manufactured By	Sony Music Japan International Inc.
Record Company	CBS
Distributed By	Philips Electrical Industries Of New Zealand Limited
Phonographic Copyright (p)	Sony Music Entertainment Inc.
Copyright (c)	Sony Music Entertainment Inc.
Marketed By	Columbia Special Products
Pressed By	Columbia Records Pressing Plant, Pitman

Credits

Role	Credit
Bass	Paul Chambers
Drums	Jimmy Cobb
Engineer	Russ Payne
Liner Notes	Ralph J. Gleason
Photography By	Leigh Weiner
Piano	Wynton Kelly
Producer	Irving Townsend
Tenor Saxophone	Hank Mobley
Trumpet	Miles Davis
Sleeve Notes	Ralph J. Gleason
Photography By [Cover	Leigh Weiner
Uncredited]	Leigh Weiner

Notes

Recorded at The Blackhawk Restaurant, Hyde and Turk Streets, San Francisco, California, April 21, 1961.
Columbia "6-Eye"
A1. Parnes Music
A2. Francis Day & Hunter, PFD
B1. Chappell & Co
B2, B3. Copyright Control
B4. Essex Music
Columbia "6-Eye" early issue.
This copy features label variations from other mono original copies listed.
All titles lined up under center hole as opposed to left justified on this copy: In Person, Friday Night At The Blackhawk, San Francisco, Volume I
Writer credit is sometimes on same line as title on all songs as opposed to always underneath the titles on this copy: In Person, Friday Night At The Blackhawk, San Francisco, Volume I
Columbia "6-Eye" original issue.
Labels same layout as Miles Davis - In Person, Friday Night At The Blackhawk, San Francisco, Volume I. Jacket has a bold at the bottom-left, to the left of the last few lines of the sleeve notes.
A1--Prestige Music Co. (BMI)
A2--Remick Music Corp. (ASCAP)
B1--Buxton Hill Music Corp. (ASCAP)
B2 & B3--Musical Frontiers Pub. Co., Inc. (BMI)
B4--Suffolk Music, Inc. (BMI)
Columbia Special Omnibus Series
Recorded live at The Blackhawk Restaurant, Hyde and Turk Streets, San Francisco, California, April 21, 1961.
Vinyl disc equivalent CS 8469.
White labelled test pressing with stamps dates into 1964.
This edition released in "LP style" sleeve.
Very similar to another original 1961 mono pressing Miles Davis - In Person, Friday Night At The Blackhawk, San Francisco, Volume I but with a slight variation in the label layout. Original Columbia "six eye" labels with "CBS" at the top center. Track titles are left-oriented beneath the center hole.
Recorded 1961, 4, 21
Manufactured by CBS/Sony Inc. (Tokyo Japan)
On the upper-left corner the following is in print, "RE-RELEASED BY POPULAR DEMAND" Below the white image of a record "COLUMBIA LIMITED EDITION"
On the record label the following is in print on both sides "CSP A Service of CBS Records".
Comes in mini LP replica with OBI & Japanese insert.
DSD mastering.
This version:
artist and title in an elongated font on the labels
writers of A2 on one line on A-side label.
"Re-released by popular demand"
My guess is early 70's reissue, no credits on sleeve or label
Columbia "6-Eye"; Hollywood Pressing
Manufactured by CBS/SONY Inc (Tokyo Japan).

Barcodes

Matrix / Runout (Side A label): 682 515 1L
Matrix / Runout (Side B label): 682 515 2L
Matrix / Runout (Side A runout, stamped): AA682515 1L▽1//420VV0
Matrix / Runout (Side B runout, stamped): AA682515 2L▽3//420VVX
Rights Society: N.C.B.
Other: "six eye"
Barcode: 4 547366 210613
Rights Society: JASRAC
Rights Society: BIEM/NCB
Matrix / Runout (Runout stamp side A): XSM3550-1C
Matrix / Runout (Runout stamp side B): XSM3551-1G
Matrix / Runout (A Side Label): x "LP" 53548
Matrix / Runout (A Side Machine Stamped Runout Groove): XLP53548-1E
Matrix / Runout (B Side Label): x "LP" 53549
Matrix / Runout (B Side Machine Stamped Runout Groove): XLP53549-1AA
Matrix / Runout (A-side label): x "LP" 53548
Matrix / Runout (B-side label): x "LP" 53549
Matrix / Runout (A-Side runout, stamped): XLP53548-1E
Matrix / Runout (A-Side runout, etched): IIII-II
Matrix / Runout (B-Side runout, stamped): XLP53549-1AA
Matrix / Runout (B-Side runout, etched ["C" is stamped]): CIIIIIII
Rights Society: BMI
Rights Society: ASCAP
Other (Cover Code Printing Plant): 2
Barcode: 4988009931692
Label Code (Side 1): x "LP" 53548
Label Code (Side 2): x "LP" 53549
Matrix / Runout (Side 1): XLP53548-1J P
Matrix / Runout (Side 2): XLP53549-1J P
Barcode: 4 988009 534428
Matrix / Runout: DPA-1244 1
Other (SID Master): none
Other (SID Mould): IFPI 4505
Barcode: 0 7989-17383-1
Matrix / Runout (Label cat. #): CSRP 8469
Matrix / Runout (Side 1 matrix): XSM 53550
Matrix / Runout (Side 2 matrix): XSM 53551
Matrix / Runout (Side 1, Stamped): o XSM53550-1L P
Matrix / Runout (Side 2, Stamped): o XSM53551-1AH 1 2 4
Barcode: 4 988009 972992
Matrix / Runout (Label side A): XSM 53550
Matrix / Runout (Label side B): XSM 53551
Matrix / Runout (Runout stamp side A): XSM3550-1A
Matrix / Runout (Runout stamp variation 1 side A): XSM3550-1C
Matrix / Runout (Runout stamp variation 2 side A): XSM3550-1G
Matrix / Runout (Runout stamp variation 1 side B): XSM3551-1H
Matrix / Runout (Runout stamp side A - Variant 1): XSM53550-1C
Matrix / Runout (Runout stamp side B - Variant 1): XSM53551-1G
Matrix / Runout (Runout stamp side A - Variant 2): XSM53550-1C
Matrix / Runout (Runout stamp side B - Variant 2): XSM53551-1G
Matrix / Runout (Runout stamp side A - Variant 3): XSM53550-1A
Matrix / Runout (Runout stamp side B - Variant 3): XSM53551-1B
Matrix / Runout: XSM 53550/1
Matrix / Runout (Runout stamp side A): XLP53548-1B
Matrix / Runout (Runout stamp side B): XLP53549-1A
Matrix / Runout (Label, Side A): XSM 53550
Matrix / Runout (Label, Side B): XSM 53551
Matrix / Runout (Side A): XSM53550-1E HH
Matrix / Runout (Side B): XSM53551-1A
Matrix / Runout (Runout side A, stamped): XSM53550-1A
Matrix / Runout (Runout side B, stamped): XSM53551-1C

Summary by Nancy Dufresne

In Person Friday Night At The Blackhawk San Francisco Volume I is a must-have for any jazz fan. The album captures Davis at his best, and it's a testament to his enduring legacy as one of the greatest musicians of all time.

Comments

georgegree76

vehementelyvegetarian

マイルスの期待に沿えなかったかもしれないが、このモブレーのプレイの素晴らしさは疑う余地はない。モブレーのソロが始まった途端にバンドの一体感が強固になりギアが一段上がる。

kristinevega158

マイルスのライブアルバムでは一番好きですね????

edeblessingngozikaunn

Thanks!

luisioct4v1ovglz

Swinging, I would see say, isn't it?

vrlynxleg1

it's a shame that this period of Miles' career is overlooked, because this band is great! Hank Mobley wasn't chasin' like Coltrane or proficient like Shorter is, but he was a damned fine tenor player... Mr. PC and Jimmy Cobb (RIP) were as good a rhythm section as any.... and damn! Wynton Kelly's solo at 8:20 cooks and is TASTY!!