The Jazz Epistles - Jazz In Africa Volume One

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Review by Liana Mirkin Research Consulting

Jazz In Africa Volume One, by Jazz Epistles, is a captivating album that showcases the group's exceptional musical talents. The album is a collection of jazz compositions that are infused with African rhythms and melodies, creating a unique and memorable sound.

The album opens with the track "Umona," which features a lively and upbeat rhythm that sets the tone for the rest of the album. The group's musicianship is on full display throughout the album, with each member contributing to the overall sound in their own unique way.

One of the standout tracks on the album is "Scullery Department," which features a haunting melody and intricate rhythms that are sure to captivate listeners. Another standout track is "Blues for Hughie," which showcases the group's ability to seamlessly blend traditional jazz sounds with African rhythms.

Download The Jazz Epistles - Jazz In Africa Volume One
Artist: The Jazz Epistles
Album: Jazz In Africa Volume One
Rating: 4.67

Table of Contents

Download

Filename: the-jazz-epistles-jazz-in-africa-volume-one.rar
  • MP3 size: 65.8 mb
  • FLAC size: 715.4 mb

Tracks

TrackDurationPreview
Blues For Hughie5:55
Gafsa3:20
Old Devil Moon5:30
Scullery Department7:00
Uka-Jonga Phambili3:45
Lover Come Back To Me3:38
Yardbird Suite3:59
Carols Drive5:10
Body & Soul4:08
Vary-oo-vum5:07
Cosmic Ray3:40
Twelve Times Twelve7:28
Dollars Moods5:27
Delilah6:06

Video

The Jazz Epistles Vary oo vum (Afrique du Sud, 1960)
The Jazz Epistles feat Hugh Masekela and Dollar Brand - Blues for Hughie
The Jazz Epistles - Scullery Department
The Jazz Epistles : Vary-oo-vum

Images

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Catalog Numbers

KAZ CD 24

Labels

Kaz Records

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Formats

  • CD
  • Compilation

Companies

RoleCompany
Licensed FromGallo Music Productions
Distributed ByIntercord Record Service
Phonographic Copyright (p)Kaz Records Ltd
Copyright (c)Kaz Records Ltd
Made ByPDO, UK
Published ByVictoria Music
Remastered AtDowntown Studios

Credits

RoleCredit
Alto SaxophoneKippie Moeketsi
BassClaude Shange
DrumsGene Latimore
FluteRay Shange (tracks: 14)
PaintingTony Hudson
PianoAbdullah Ibrahim (tracks: 4, 6 to 8, 10 to 12), Christopher Joseph (tracks: 1), John Mehegan (tracks: 1 to 3, 5, 9, 13, 14)
Remastered ByRichard Austen, Steve Rooke
Sleeve NotesDonald McRae
TromboneJonas Gwangwa
TrumpetHugh Masekela

Notes

  • ℗©1992 Kaz Records Ltd
  • Made in England
  • Publishers
  • Track 1: Victoria Music
  • Track 2: Marada Music
  • Tracks 3, 4, 6 to 8, 10 to 12: Empire Music
  • Track 5: Warner Chappell
  • Track 9: Chappell Music / Redwood Music
  • Track 13: Chappell Music
  • Track 14: Public Domain
  • Barcode (of I.R.S.) and distribution code on sticker of back cover.
  • Issued in a standard jewel case with fold-out insert.

Barcodes

  • Barcode: 5016073002426
  • Barcode (I.R.S. on sticker): 4006759764237
  • Matrix / Runout (Variant 1): KAZCD24 10209881 03 &
  • Matrix / Runout (Variant 2): KAZCD24 10209881 04 &
  • Matrix / Runout (Inner ring): MADE IN U.K. BY PDO

About The Jazz Epistles

South Africa's first important bebop band.

Name Vars

  • Jazz Epistles
  • Jazz In Africa AKA Jazz Epistles

Members

  • Hugh Masekela
  • Makaya Ntshoko
  • Kippie Moeketsi
  • Dollar Brand
  • Jonas Gwangwa
  • Johnny Gertze
lianamirkinrc

Summary by Liana Mirkin Research Consulting

Jazz In Africa Volume One is a must-listen for fans of jazz music. The album's unique sound and exceptional musicianship make it a standout in the genre, and the group's ability to blend African rhythms and melodies with jazz is truly impressive.

Comments

Wow! It's more than 45 years that I have been listening to the music of Abdullah Ibrahim and only now do I find my way back to this. What's remarkable is that his piano style and harmonic thinking are pretty much fully formed here - definitely more "modern" than what I have heard from other early recordings, and even than most of the things he did in the mid-60s.

Thanks so much for sharing this wonderful music.
A real gemstone ever dug out of the Republic of South Africa.
Do you by any chance have an eletronic copy of this master piece of an album?
2:13 young Hugh Masekela the band drops away. RIP HM, 1939-2018.
It is clear that these apartheid buried everything of world class that was created by black South Africans and, that shows that they were scared off by the black talents and decided to destroy for good whatever piece of Art that was of superior quality and original than their own white creations.  Thanks for digging up these black South African jazz masterpieces!!!
I do believe it's Hugh Masekela on trumpet
Thanks for this. Would be great to have the whole album posted to YouTube...
If it was not for the terrible apartheid legacy these musicians could have been contributed a lot to the American jazz repertoire, and could have properly defined jazz in South Africa, not as South African jazz but jazz in it's own right.  This is brilliant stuff!!!
"El gobierno del apartheid sudafricano solía acosar a estos músicos a finales de los 50 y principios de los 60 y muchos de ellos se fueron al exilio, Bra Kippie, el saxofonista y el clarinete, dejaron y regresaron, tal vez debido a enfermedades en el hogar y más tarde luchó bajo el apartheid. y nunca lo lograron, como otro músico que se volvió muy activo como uno de los líderes en sus instrumentos y como exitosos compositores y líderes de sus bandas, como Abdullah, Hugh y Jonas. Es la primera vez que escucho este disco, fue lanzado cuando yo aún era un bebé en 1960 y probablemente fue "quemado" por el gobierno del apartheid que llamó a toda nuestra música de jazz, "la música de los bárbaros y es muy peligroso para ellos". La audiencia blanca y sus hijos escucharon
I also have a copy and many other SA Jazz records of the 60's, including a rare record of Dollar playing Thelonious Monk, and a rare record of Gideon Bra Gid Nxumalo playing a duet with a guitarist at the Cul-de-sac in Hillbrow.

I had begun to play drums then and would go up to Dorkay House every Sunday afternoon where Gideon Bra Nxumalo became my teacher. I was just a beginner and was always encouraged, especially by Kippie Moeketsi. Many musicians had already left, Dollar, Miriam, Hugh. Others were soon to follow but whom I was fortunate to still see: Chris McGregor, Mkaya Ntshoka, Dudu Pukwana. Others , like Early Mabusa, stayed on. It was really sad when they began passing away.

I am a drummer today, far, far, away and only have thanks and admiration for those amazing musicians.

Avron Polakow avronpolakow@gmail.com
A few years ago the BBC made a Storyville program called Sophiatown about these times and the musicians. It was brilliant and I wish they would show it again, cannot find it online.
They're so good and I love them so much ! Thank you for this. Gratitude !
Do you by any chance have an eletronic copy of this master piece of an album?
South African apartheid government used to harass these musicians in the late 50s and early 60s and a lot of them left for exile, Bra Kippie, the sax and clarinet player left and came back, maybe because of home sickness and later on he struggled under apartheid and never made it, like other musician who became very active as one of the leaders on their instruments and as successful composers and leaders of their bands, like Abdullah, Hugh and Jonas.  It's a first time I hear this record, it was released when I was still a baby in 1960 and was probably "burned' by the apartheid government who called all our jazz music, "the music of the barbarians and that it is very dangerous for the white audience and their children to hear
Fabulous! I love it all! The Jazz Messenger style stabs, the title of the album : Verse 1 (yeah! That is SO 1950s), the art work.... So pleased to see at least one of the tunes here. And yes, very few know of it's existence....it was recorded at a time was Jazz in SA was view JXed as elitist or subversive...so, maybe that could be the reason. Jx
yeah!
Super,Superb,magnificent and a masterpiece of South African Jazz Epistles.

Salute!

?
Mhh,nice one
Un grande!!!!