Breach - Kollapse

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Review by Jesus Rosas

Breach's album Kollapse is a powerful display of their unique sound and style. The album is filled with heavy and intense tracks that showcase the band's raw talent and creative energy. The songs are filled with aggressive guitar riffs, pounding drums, and thunderous basslines that create a dark and brooding atmosphere.

The album opens with the track "Static" which sets the tone for the rest of the album. The song is a slow burn that builds up to a crushing climax, leaving listeners on the edge of their seats. Other standout tracks on the album include "Old Days," "The Willy," and "Godbox."

One of the most impressive aspects of Kollapse is the way the band blends different genres together seamlessly. The album draws inspiration from punk, metal, and hardcore, but Breach manages to make it all their own. The result is a unique and captivating listening experience that will leave a lasting impression on anyone who hears it.

Table of Contents

Download

Filename: breach-kollapse.rar
  • MP3 size: 39 mb
  • FLAC size: 757.9 mb

Tracks

TrackDurationPreview
Kollapse8:54
Seven2:48
Lost Crew5:14
Breathing Dust2:59
Teeth Out9:0
Empty Hand2:46
Sphincter Ani1:20
Mr. Marshall5:8
Murder Kings and Killer Queens2:8
Old Ass Player2:16
Alarma3:0
Murder Kings And Killer Queens2:06
Big Strong Boss5:34

Video

breach old ass player
Breach - Sphincter Ani / Alarma
Breach Lost Crew

Images

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Catalog Numbers

  • apo016
  • bhr 142

Labels

  • Apocaplexy Records
  • Burning Heart Records

Listen online

  • lytte på nettet
  • online anhören
  • lyssna på nätet
  • ascolta in linea
  • online luisteren
  • ouvir online
  • kuunnella verkossa
  • écouter en ligne
  • escuchar en línea

Formats

  • 2 × Vinyl
  • LP
  • 45 RPM
  • Album
  • Limited Edition
  • Clear
  • Numbered
  • Repress
  • Test Pressing
  • Clear Red
  • CD

Companies

RoleCompany
Recorded AtStudio Gröndahl
Engineered AtStudio Gröndahl
Remastered AtTri-Lamb Studios
Licensed FromBurning Heart Records
Phonographic Copyright (p)Burning Heart Records
Copyright (c)Burning Heart Records
Manufactured ByEpitaph Europe
Distributed ByEpitaph Europe
Pressed BySony DADC
Published ByWarner/Chappell Music Scandinavia AB
Mastered AtPolar Mastering
Printed ByDekor Labor

Credits

RoleCredit
ArtworkPierre Johansson
BassJohan G (tracks: A1, A2, A4, B5, C7, C8, C10, D12)
DrumsPer N (tracks: A1, A2, A4 to C8, C10, D12)
GuitarAnders E (tracks: A1, A2, A4 to D12), Niklas Q (tracks: A1 to B5, C7 to D12)
Mixed ByBreach
Written-ByBreach
Recorded ByPelle Gunnerfeldt
EngineerPelle Gunnerfeldt
Remastered ByKarl Daniel Lidén
VocalsTomas H (tracks: A2 to B5, C7, C10, D12)
Artwork ByPierrellzee
Mastered ByKarl Daniel Lidén
Electric GuitarAnders E (tracks: 1, 2, 4 to 11), Niklas Q (tracks: 1 to 5, 7 to 11)

Notes

  • "recorded & engineered by pelle gunnerfeldt at gröndal studios, august 2001.
  • remastered by karl daniel lidén at tri-lamb studios, december 2012."
  • Cut on 45rpm 180g vinyl
  • 1st press
  • 100 clear
  • 400 black (this)
  • 31 testpressings
  • 2nd press
  • 500 clear red
  • recorded & engineered by pelle gunnerfeldt at gröndal studios, august 2001.
  • remastered by karl daniel lidén at tri-lamb studios, december 2012.
  • 100 clear (this)
  • 400 black
  • 12 testpressings (this)
  • 500 clear red (this)
  • Recorded and engineered at Gröndal Studios, August 2001.
  • Drums on 6 & 11 and djembe on 9 recorded in Breachland.
  • Mastered at Polar.
  • All music created in the year 2001.
  • (c)&(p) 2001 Burning Heart Records
  • Digipak with white tray.
  • 31 testpressings (this)

Barcodes

  • Matrix / Runout: 95120-1A APO016
  • Matrix / Runout: 95120-1B APO016
  • Matrix / Runout: 95120-1C APO016
  • Matrix / Runout: 95120-1D APO016
  • Matrix / Runout: 95120-1A APO016 BD 16647-01 A1
  • Matrix / Runout: 95120-1B APO016 BD 16647-01 B1
  • Matrix / Runout: 95120-1C APO016 BD 16647-02 C1
  • Matrix / Runout: 95120-1D APO016 BD 16647-02 D1
  • Barcode (Text): 7 391946 114221
  • Barcode (String): 7391946114221
  • Rights Society: BIEM/STEMRA
  • Label Code: LC 02576
  • Other: 380 P
  • Matrix / Runout (Variant 1, 2): Sony DADC A0100386991-0101 14 A0
  • Mastering SID Code (Variant 1, 2): IFPI L554
  • Mould SID Code (Variant 1): IFPI 94Z5
  • Mould SID Code (Variant 2): IFPI 94Z2

About Breach

ladda ner album Breach - KollapseAlbum herunterladen Breach - Kollapselataa albumi Breach - Kollapsebaixar álbum Breach - Kollapsetélécharger l'album Breach - Kollapsedescargar álbum Breach - Kollapse
Luleå, North Sweden. 1993. A punk band splits into two bands; one the pop-tinged, post-hardcore FIRESIDE, the other a renegade heavy outfit by the name of BREACH. Lulea was the perfect place for BREACH to begin developing their unique, multi-faceted sound. The members focused all their energy and time into writing and rehearsing. In a short time the band laid a strong foundation for their future growth in a sound that merged influences from US hardcore and other heavy artists from HELMET to ENTOMBED. 1995. During the spring the band recorded their debut full-length Friction at Stockholm's Sunlight Studios with producer/engineer Fred Estby. The combination of their existing low-end sound and Sunlight's immense production turned Friction into one of Sweden's heaviest exports. Upon its August release, Friction was met with acclaim usually afforded to more established artists, and the band lived up to the billing by turning in a classic performance at Sweden's Hultsfred Festival. 1996. BREACH entered Tontenik Studios in Umea with FIRESIDE's Pelle Gunnerfeldt to record a new mini-CD. That mini-CD, titled Old Songs vs. New Beats, marked the band's first major step towards shedding their influences and moving into a class by themselves. Immediately after recording, BREACH toured Europe for the first time in support of REFUSED. The tour was a monumental success and the band capped it of by performing at most of Scandinavia's major festivals. The momentum generated by both tours allowed the band the opportunity to tour Europe for the first time as headliners in November. 1997. Almost immediately following their first headlining tour, the band went back into the studio with Gunnerfelt to record its next full-length, It's Me God. Released in April, It's Me God was yet another snapshot of the band's growth, and it set off their most intense cycle of touring to date. BREACH trekked across Europe and Scandinavia through April and May, played several summer festivals and completed a massive European jaunt with NEUROSIS and ENTOMBED in October. Shortly thereafter, It's Me God was issued in North America. 1998. In the first half of the year BREACH went through their most trying phase as several members left the band. They forged on with one guitarist and a rotating cast of fill-in drummers. Despite this, they managed to pull the line-up together to play at June's Flying High Festival in Germany with Ignite and Suicidal Tendencies. Upon their return home, Niklas and Per joined (as the full-time second guitarist and drummer respectively) and the band hunkered down for intense writing and rehearsals for their third album. 1999: Recorded by BREACH and mixed at Tontenik in the winter, Venom is clearly their finest moment to date and a culmination of their work. Their renegade pastiche of fiery hardcore resolve, metallic precision and intrepid indie ingenuity had never been so seamless and pure and, as a result, Venom was met with an incredible response when issued in March by Burning Heart. BREACH celebrated the release of Venom with a sold out show at Kafe 44 in Stockholm at which they debuted their unique, two-drummer live show. A summer of festival touring commenced and led into their third European headlining tour in fall '99.

Members

  • Per Nordmark
  • Erik Carlsson
  • Anders Ekström
  • Jejo Perkovic
  • Tomas Hallbom
  • Christian Andersson
  • Kalle Nyman
  • Jan Westerberg
  • Tomas Turunen
  • Niklas Quintana
  • Magnus Höggren
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Summary by Jesus Rosas

Kollapse is an exceptional album that showcases Breach's talent and creativity. It's a must-listen for anyone who enjoys heavy, intense music with a unique twist.

Comments

The band's 2001 album, Kollapse, is a jump into clean-guitar Post-Rock, but still sounds boring and uninspired.
sounds like Fugazi
This is absolutely epic.
For those interested, I just uploaded the whole album to YouTube.
please listen to all their records in a chronological way.... one of the greatest band in 90... A beautiful band of européen punk hardcore scene...
It's out. you can find it on Discogs.
Totally agree with you!
Isis had been split up for 2 years when you made this comment.
TO A DEADLY MEDIAN!
Isis split up.Sorry...
True, but on the other hand some of them formed Terra Tenebrosa who are pretty awesome
oh yeah
someone repress this album..pleeaaaassseee?
i still can t understand why this band split up... they should be playing along with tool neurosis and isis ...
@1978deus that's some serious shit talking there!you don't see how Neurosis was one of their main influences.
fuckin' damned!