Review by Vetriselvan R

Merzbow Black Leather Jesus is a collaborative album between Japanese noise musician Merzbow and American industrial act Black Leather Jesus. The album features five tracks, each one a relentless assault of harsh noise and distorted sounds.

The album opens with "A Lesson in the Abuse of Information Technology," a track that immediately sets the tone for what's to come. The sound is abrasive and unrelenting, with layers of distorted noise and feedback building to a climax. The second track, "Malevolent Technology," is equally intense, with Merzbow's signature use of analogue synths and Black Leather Jesus' industrial percussion creating a wall of sound that's almost overwhelming.

The third track, "Sado-Electronics," is perhaps the most experimental of the bunch. It features a mix of distorted guitar riffs, electronic noise, and manipulated vocals, creating a chaotic soundscape that's hard to pin down. "Power Electronics" is another standout track, with its pounding beat and distorted vocals creating a sense of urgency and aggression.

The album closes with "Information Overload," a track that brings everything full circle. The sound is dense and chaotic, with layers of noise and feedback building to a crescendo before abruptly cutting off.

Summary by Vetriselvan R

Merzbow Black Leather Jesus is a challenging listen, but one that's sure to appeal to fans of experimental noise and industrial music. The collaboration between Merzbow and Black Leather Jesus is a match made in noise heaven, and the result is a visceral and uncompromising album that's not for the faint of heart.