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Ludwig van Beethoven, Melos Quartett - Die Mittleren Streichquartette
Review by Xlear Direct
The Melos Quartett's performance of Ludwig van Beethoven's Die Mittleren Streichquartette is a stunning display of musical mastery. The quartet's technical precision and emotional depth bring out the full range of Beethoven's genius, from the playful wit of the Op. 18 quartets to the profound introspection of the Op. 59 quartets.
The quartet's ensemble playing is impeccable, with each member contributing to a seamless and cohesive sound. The first violinist, Wilhelm Melcher, brings a soaring lyricism to the melodic lines, while the second violinist, Gerhard Voss, provides a strong and supportive foundation. The violist, Hermann Voss, and cellist, Peter Buck, add depth and richness to the ensemble sound with their warm and resonant playing.
The quartet's interpretation of Beethoven's music is both faithful to the score and full of fresh insights. They capture the full emotional range of the music, from the exuberant energy of the Scherzo movements to the haunting beauty of the slow movements. The quartet's performance of the Cavatina from Op. 130 is particularly moving, with its profound sense of sadness and resignation.
Table of Contents
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Filename: ludwig-van-beethoven-melos-quartett-die-mittleren.rar- MP3 size: 370 mb
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Tracks
| Track | Duration | Preview |
|---|---|---|
| IV. Allegro Molto | 5:41 | |
| Iii. Adagio Molto E Mesto | 19:20 | |
| II. Molto Adagio | 11:54 | |
| III. Allegretto | 8:32 | |
| Iii. Presto - Piu Presto Quasi Prestissimo | 5:33 | |
| Streichquartett E-moll, Op. 59 No. 2 (Rasumowsky) | ||
| Streichquartett e-moll op. 59 Nr. 2 (Rasumowsky) | ||
| 4. Allegretto con Variazioni | 6:13 | |
| 2. Andante con moto quasi Allegretto | 8:28 | |
| 4. Finale. Presto | 5:07 | |
| 3. Menuetto. Grazioso -- attacca: | 4:46 | |
| Streichquartett F-moll, Op. 95 | ||
| Streichquartett E-Moll Op. 59 Nr. 2 (Rasumowsky-Quartett) | ||
| I. Poco Adagio - Allegro | 10:09 | |
| IV. Finale: Presto | 5:42 | |
| 2. Allegretto vivace e sempre scherzando | 8:31 | |
| 2.Molto Adagio. Si tratta questo pezzo con molto di sentimento | 12:18 | |
| Iv. Allegretto Con Variazioni | 6:35 | |
| II. Molto Adagio. Si Tratta Questo Pezzo Con Molto Di Sentimento | 12:19 | |
| Streichquartett F-dur nach der Klaviersonate E-dur op. 14 Nr. 1 | ||
| Iv. Allegro Molto | 6:24 | |
| 1. Allegro con brio | 4:14 | |
| 3. Rondo. Allegro comodo | 3:04 | |
| 3. Allegro assai vivace ma serioso | 4:11 | |
| Streichquartett f-moll op. 95 | ||
| I. Introduzione: Andante Con Moto - Allegro Vivace | 10:54 | |
| Streichquartett F-dur, Op. 59 No. 1 (Rasumowsky) | ||
| IV. Larghetto Espressivo - Allegretto Agitato | 4:37 | |
| Streichquartett F-Dur Op. 59 Nr. 1 (Rasumowsky-Quartett) | ||
| 1. Introduzione. Andante con moto -- Allegro vivace | 10:05 | |
| Streichquartett C-Dur Op.59 Nr. 3 (Rasumowsky-Quartett) | ||
| Streichquartett F-dur Nach Der Klaviersonate E-dur, Op. 14 No. 1 | ||
| II. Andante Con Moto Quasi Allegretto | 8:29 | |
| IV. Finale. Presto | 5:09 | |
| 1. Allegro | 6:04 | |
| Iv. Larghetto Espressivo - Allegro Agitato | 4:56 | |
| III. Allegro Assai Vivace Ma Serioso | 4:11 | |
| III. Rondo. Allegro Comodo | 3:06 | |
| Ii. Allegretto Vivace E Sempre Scherzando | 9:10 | |
| 4. Larghetto espressivo -- Allegretto agitato | 4:34 | |
| 2. Adagio ma non troppo | 8:59 | |
| Iii. Allegro Assai Vivace Ma Serioso | 12:08 | |
| 1. Poco Adagio -- Allegro | 9:48 | |
| Streichquartett Es-dur op. 74 ("Harfenquartett") | ||
| III. Menuetto. Grazioso - Attacca: | 4:47 | |
| 4. Thème russe. Allegro | 7:44 | |
| Ii. Allegretto Ma Non Troppo | ||
| Streichquartett F-Moll Op. 95 | ||
| 3. Presto -- attaca: | 4:54 | |
| I. Introduzione. Andante Con Moto - Allegro Vivace | 10:07 | |
| Streichquartett Es-Dur Op.74 (Harfenquartett) | ||
| 2. Allegretto | 3:14 | |
| II. Allegretto | 3:16 | |
| 4. Allegro molto | 5:38 | |
| II. Presto - Attacca: | 4:54 | |
| Ii. Andante Con Moto Quasi Allegretto | 9:52 | |
| IV. Allegretto Con Variazioni | 6:17 | |
| 3. Adagio molto e mesto -- attacca: | 13:17 | |
| IV. Thème Russe. Allegro | 7:48 | |
| III. Menuetto: Grazioso | 5:13 | |
| I. Allegro | 11:04 | |
| I. Allegro Con Brio | 4:49 | |
| Streichquartett C-dur, Op. 59 Nr. 3 (Rasumowsky) | ||
| III. Adagio Molto E Mesto - Attacca: | 13:18 | |
| Ii. Adagio Ma Non Troppo | 9:25 | |
| 3. Allegretto | 7:14 | |
| Iv. Thème Russe: Allegro | 19:20 | |
| Streichquartett Es-dur, Op. 74 ("Harfenquartett") | ||
| II. Adagio Ma Non Troppo | 8:59 | |
| 2. Allegretto ma non troppo -- attaca | 6:44 | |
| Streichquartett F-dur op. 59. Nr. 1 (Rasumowsky) | ||
| II. Allegretto Vivace E Sempre Scherzando | 8:31 | |
| II. Allegretto Ma Non Troppo - Attacca: | 6:45 | |
| Streichquartett C-dur op. 59 Nr. 3 (Rasumowsky) |
Images
Catalog Numbers
- EL 16573-76
- 415 342-1
- 415342-2
Labels
- Ex Libris
- Deutsche Grammophon
Listen online
- ouvir online
- lytte på nettet
- online luisteren
- ascolta in linea
- lyssna på nätet
- escuchar en línea
- kuunnella verkossa
- écouter en ligne
- online anhören
Formats
- 4 × Vinyl
- LP
- 3 × Vinyl
- Stereo
- 3 × CD
- Album
Companies
| Role | Company |
|---|---|
| Recorded At | Südwest-Tonstudio Stuttgart |
Credits
| Role | Credit |
|---|---|
| Viola | Hermann Voss |
| Violin | Gerhard Voss, Wilhelm Melcher |
| Violoncello | Peter Buck |
| Art Direction | Peter Schuppe |
| Cover | Werner Koberstein |
| Liner Notes | Ludwig Finscher, Rita Fischer |
| Production Manager | Steven Paul |
| Recording Supervisor | Heinz Wildhagen |
Notes
- comes with booklet
- ℗ 1985 Polydor International GmbH, Hamburg
- Includes booklet
- Booklet Editor: Roswita Cervone
- 1980's recording
- Made in West Germany.
- Thick double jewel case, 64-page booklet.
Barcodes
- Barcode (Scanned): 028941534224
- Label Code: LC 0173
- Other (Public domain declaration): D.P.
- Matrix / Runout (CD1): 415 343-2 01 *
- Matrix / Runout (CD2): 415 344-2 03 #
- Matrix / Runout (CD3): 415 345-2 02 #
About Ludwig van Beethoven, Melos Quartett
German composer and pianist, born in 1770 (baptized 17 December 1770) in Bonn, Germany and died 26 March 1827 in Vienna, Austria.
A crucial figure in the transition between the Classical and Romantic eras in classical music. Beethoven led Viennese Classicism to its highest development and paved the way for Romantic music.
Beethoven was the eldest son of a singer in the Kapelle of the Archbishop-Elector of Cologne and grandson of the Archbishop's Kapellmeister. He moved in 1792 to Vienna, where he had some lessons from Haydn and others, quickly establishing himself as a remarkable keyboard-player and original composer. By 1815 increasing deafness made public performance impossible and accentuated existing eccentricities of character, patiently tolerated by a series of rich patrons and his royal pupil the Archduke Rudolph.
Beethoven did much to enlarge the possibilities of music and widen the horizons of later generations of composers. To his contemporaries he was sometimes a controversial figure, making heavy demands on listeners both by the length and by the complexity of his writing, as he explored new fields of music.
Real Name
- Ludwig van Beethoven
Name Vars
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- Μπετόβεν
- Бетховен
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- В. Бетховен
- Л. Бетговен
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- Л. Бетховен - Anatoly Nikitin - Felicia Fondaminskaya
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- בטהובן
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- بتهوفن
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- ÙüÈô§ó
- ÙüÈüÙó
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- ÙüÈüô§ó
- ÙüÈüô§ó = Beethoven
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- ಠƠತ (Ludwig Van Beethoven)
