Review by Uugankhuu Baasanjav

Laurel Aitken's album "Boogie In My Bones: The Early Years 1957 to 1960" is a stunning collection of tracks that showcase the early work of one of the most influential figures in ska and reggae music. Aitken's unique blend of rhythm and blues, boogie-woogie, and Jamaican sounds is on full display here, with each song offering a glimpse into the artist's evolution as a musician.

The album opens with the title track "Boogie In My Bones," a lively tune that sets the tone for what's to come. Aitken's powerful vocals and infectious energy are impossible to resist, and the song's catchy melody will have listeners tapping their feet in no time. Other standout tracks include "Mash Potato Boogie," "Baba Kill Me Goat," and "Nebuchnezer," all of which showcase Aitken's ability to fuse different musical styles into a cohesive whole.

One of the most impressive things about "Boogie In My Bones" is the range of emotions it evokes. From the upbeat and joyful "Boogie In My Bones" to the haunting and melancholy "Judgement Day," Aitken proves that he is a master of both light and shade. The album also features some of Aitken's earliest collaborations with other musicians, including the Skatalites, who provide the backing on several tracks.

Summary by Uugankhuu Baasanjav

"Boogie In My Bones: The Early Years 1957 to 1960" is a must-listen for anyone interested in the history of ska and reggae music. Laurel Aitken's talent and innovation are on full display here, and the album serves as a testament to his enduring legacy as one of the genre's most important figures.