Gregg Skloff - This Relationship Is Something Spatial

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Review by Andrey Volgin

This Relationship Is Something Spatial by Gregg Skloff is an album that showcases the artist's experimental and avant-garde approach to music. The album is a collection of ambient and drone tracks that are designed to create an immersive and otherworldly listening experience.

The album features a wide range of sounds, from deep bass drones to shimmering high-pitched tones, all of which are expertly crafted to create a sense of space and atmosphere. Skloff's use of unconventional instruments, such as the amplified cello and the metal percussion, adds to the album's unique sound.

One of the standout tracks on the album is "Infinite Distance," which features a slowly evolving drone that gradually builds in intensity over the course of the track. The use of subtle changes in tone and texture keeps the listener engaged and creates a sense of tension and release.

Download Gregg Skloff - This Relationship Is Something Spatial
Artist: Gregg Skloff
Album: This Relationship Is Something Spatial

Table of Contents

Download

Filename: gregg-skloff-this-relationship-is-something-spatial.rar
  • MP3 size: 26.4 mb
  • FLAC size: 144.8 mb

Tracks

TrackDurationPreview
(White Letters On) Red Octagons (Don't Faze Me)3:25
(Don't You Know) Star Chasm (When You Hear It)14:10
(This Relationship Is Something) Spatial9:47
(Mote & Remote Fell Into The) Moat6:46

Images

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Labels

Not On Label

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Formats

  • 4 × File
  • WAV
  • Album

Credits

RoleCredit
ContrabassGregg Skloff
ElectronicsGregg Skloff

Notes

  • Recorded live at Revival Drum Shop, Portland OR, 21 March 2012
  • Released 04 April 2012

About Gregg Skloff

Gregg Skloff has played contrabass since 1990. From 1990 to 95 he took lessons from George Wellington Sr., and also spent three years in Punahou Schools esteemed Symphony Orchestra. Meanwhile, having begun on bass guitar in 1991, Gregg listened obsessively to music ranging from jazz to punk, metal to pop, prog to reggae, and beyond. This perhaps contributed to his abiding view of music as a totality, and his intolerance of genre-based jingoism. Since his move to the Pacific Northwest in 1997, Gregg has played in various improvisational settings with a multitude of musicians, including Nick Bindeman, Gust Burns, Arrington de Dionyso, Kevin Doria, Brad Gibson, Michael Griffen, Paul Hoskin, Jean-Paul Jenkins, Nathan Levine, Evan Miller, Tatsuya Nakatani, Adrian Orange, Kelvin Pittman, Matana Roberts, Ben L. Robertson, Jacob Wick, Bert Wilson, McCloud Zicmuse, and many others. He has also devoted his efforts to several rock bands, including Counterfeit Monsters, Thunder!Thunder!Thunder! (a pre-Explode Into Colors project with Claudia Meza and Lisa Schonberg), and Captains Daughter; occasionally, he has accompanied Beirth in the Symbolist folk project Birch Book. In 2009, ESP-Disk released the album Gigantomachia by The Naked Future (featuring de Dionyso, Skloff, pianist Thollem McDonas and drummer John Niekrasz) to international acclaim. Gregg has been a regular participant with the Creative Music Guilds large ensembles (for guest artists such as John Gruntfest, Urs Leimgruber, and Bhob Rainey) and with the Creative Composers Collective of Portland. He has been the featured bassist in the Portland performances of Moe! Staianos End Of An Error and Gino Robairs I, Norton. Existence Habit, his group with Roger Hayes and sometimes Derek Ecklund, began activity in 2013. Greggs work on his own, meanwhile, conjures a uniquely intense and enigmatic mood, whether in the form of his fractured lo-fi (now-defunct) hermit-pop outfit Cloaca Clock or in the swirling storms and sweeping vistas of his solo instrumental performances.
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Summary by Andrey Volgin

This Relationship Is Something Spatial is an impressive album that showcases Gregg Skloff's skills as a composer and sound designer. It is a must-listen for fans of experimental and ambient music.