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Georg Anton Benda Gessel Erlebach Mields, Schwarz, Post, Lindemann, Mertens, TelemannKammerorchester Michaelstein, Ludger Rémy - Cantatas
Review by Hannah
The album Cantatas by Georg Anton Benda Gessel Erlebach Mields, Schwarz, Post, Lindemann, Mertens, TelemannKammerorchester Michaelstein, Ludger Rémy is a brilliant collection of baroque music that showcases the talents of some of the most talented performers in the genre. The album features a rich and diverse selection of cantatas that are sure to delight even the most discerning classical music enthusiasts.
The performances on this album are nothing short of outstanding. The singers, including Dorothee Mields, Jan Kobow, and Klaus Mertens, are all in top form, delivering passionate and emotive performances that capture the spirit of the music perfectly. The TelemannKammerorchester Michaelstein, under the direction of Ludger Rémy, provide a solid and nuanced accompaniment that allows the soloists to shine.
The album is well-produced and features excellent sound quality that really allows the music to come alive. The liner notes are informative and offer valuable insight into the history and context of the music, making this album an excellent choice for anyone looking to deepen their understanding of the baroque era.
Album: Cantatas
Table of Contents
Download
Filename: georg-anton-benda-gessel-erlebach-mields-schwarz-post.rar- MP3 size: 182.4 mb
- FLAC size: 1808 mb
Tracks
| Track | Duration | Preview |
|---|---|---|
| Aria (A) Das Widerspiel Ist Bei Der Bösen Zahl | 1:24 | |
| Coro Sie Sind Nicht Alle Dem Evangelio Gehorsam | 1:59 | |
| Sinfonia & Coro (Tutti, T, A) Gelobet Sei Der Herr Täglich | 3:25 | |
| Aria (S) Wie Heilsam Meint Es Doch Der Treue Gott | 1:48 | |
| Sinfonia & Coro No 23 Da Capo | 3:19 | |
| Bald Wird Ihn Die Himmlische Jugend Empfangen | (15:50) | |
| Sie Sind Nicht Alle Dem Evangelio Gehorsam | (19:02) | |
| Coro (T, B, A) Bald Wird Ihn Die Himmlische Jugend Empfangen | 2:45 | |
| Gelobet Sei Der Herr | (13:11) | |
| Eilet, Eilet Das Gesetz Zu Hören | (16:33) | |
| Recitativo (B, S, T, A) Du Lieber Gott! | 2:32 | |
| Aria (B) Der Arme Lazarus Ruht Sanft In Gott | 1:31 | |
| Chorale Wirf Doch Hin, Was Dich Beschweret | 0:47 | |
| Coro No 9 Da Capo | 2:21 | |
| Recitativo (S) So Eil Hinan, Und Bald Erscheine Wieder! | 1:03 | |
| Aria (T) Man Trage Mit Geduld Des Kreuzes Last | 1:44 | |
| Aria (S) Versäume Nicht Die Gnadenzeit! | 6:35 | |
| Recitativo (B, S, T) Wer Seinen Bruder Haßt | 1:11 | |
| Chorale In Dieser Letzt'n Betrübten Zeit | 0:40 | |
| Recitativo (T, B, A) Wie? Unser Augen Soll Ihn Missen? | 1:37 | |
| Aria (A) Jesu, Jesu! Du Willst Von Uns Gehen? | 2:26 | |
| Recitativo (A) Du Wünschest, Sterblicher! Das Heil Der Ewigkeit? | 1:30 | |
| Aria (T) Ich Will Dich Lieben, Meine Stärke! | 4:24 | |
| Coro Eilet, Eilet Das Gesetz Zu Hören | 2:25 | |
| Duetto (T, B, A) Jesus Ist, Der Mich Erhält | 3:29 | |
| Coro No 1 Da Capo | 2:44 | |
| Chorale Entzünde Du Mein Hertz | 0:56 | |
| Aria (A) Schon Fühl Ich Die Sanfte Bewegung | 3:46 | |
| Aria (B) Flieht, Flieht Aus Unserm Blicke | 2:58 | |
| Recitativo (A, T, B, S) Der Mensch Denkt Oft An Keinen Himmel | 1:27 | |
| Arioso (T) Wenn Die Menschen Also Wollten | 2:23 | |
| Chorale Ach Bleib Bei Uns, Herr Jesu Christ | 0:37 |
Video
Georg Anton Benda - Cantata - Bald wird ihn die himmlische Jugend empfangen
Images
Catalog Numbers
999 650-2Labels
cpoListen online
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Formats
- CD
- Album
Companies
| Role | Company |
|---|---|
| Phonographic Copyright (p) | cpo |
| Manufactured By | MDR |
| Recorded At | Kirche St. Bonifatius, Ditfurt |
Credits
| Role | Credit |
|---|---|
| Alto Vocals | Britta Schwarz |
| Bass Vocals | Klaus Mertens |
| Bassoon | Thomas Göbel |
| Cello | Steffen Hoffmann |
| Composed By | Carl Friedrich Gessel (tracks: 16 to 22), Georg Anton Benda (tracks: 1 to 15), Philipp Heinrich Erlebach (tracks: 23 to 28) |
| Conductor | Ludger Rémy |
| Design | Olaf Rothe |
| Double Bass | Andreas Schmidt |
| Engineer | Jürgen Radtke, Klaus Tonndorf, Lutz Thormann |
| Ensemble | Telemann-Kammerorchester Michaelstein |
| Executive Producer | Thomas Baust |
| Liner Notes | Katrin Bemmann, Ludger Rémy |
| Oboe | Lex Voss, Onno Verschoor |
| Organ | Ludger Rémy, Sebastian Knebel |
| Painting | Tizian |
| Photography By | Artothek |
| Recording Supervisor | Matthias Behrendt |
| Soprano Vocals | Dorothee Mields |
| Tenor Vocals | Andreas Post (tracks: 16 to 28), Jörn Lindemann (tracks: 1 to 15) |
| Viola | Klaus Bona, Klaus-Dieter Voigt, Thordes Hohbach |
| Violin | Cornelia Fiedler, Maria Thom, Ruth Ellner |
Notes
- Total Time: 74:48
- Recording: April 8–11, 1998
- Cover Painting: Tizian (Tiziano Vecellio), "Das Mahl in Emmaus", c. 1535, Paris, Musée du Louvre
- ℗ 1999 – Made in Germany
Barcodes
- Barcode (Text): 7 61203 96502 1
- Barcode (Scanner): 761203965021
- Label Code: LC 8492
- SPARS Code: DDD
- Other: GEMA
About Georg Anton Benda Gessel Erlebach Mields, Schwarz, Post, Lindemann, Mertens, TelemannKammerorchester Michaelstein, Ludger Rémy
Czech composer (June 30, 1722, Staré Benátky, Czechia November 6, 1795, Bad Köstritz, Saxony) of early classicism. He created a scenic melodrama as a new musical genre. In his dramatic and instrumental works, he preceded Beethoven in many things and, in the atmosphere of his work, even Romanticism. Younger brother of .
Real Name
- Jiří Antonín Benda
Name Vars
- Benda
- F. Benda
- G. (J.A.) Benda
- G. Benda
- G.A.Benda
- G.Benda
- Georg Benda
- Georg (Jiri Antonín) Benda
- Georg Benda
- George Benda
- J. A. Benda
- J. Benda
- J. F. Benda
- J.A. BENDA
- J.A. Benda
- J.F. Benda
- Jiri Antonin Benda
- Jiri Benda
- Jiři Antonin Banda
- Jiří Anton Benda
- Jiří Antonin Benda
- Jiří Antonín Benda
- Jiří Antotnín Benda
- Jiří Benda
- Бенда
- Георг Бенда
- Й. А. Бенда
Summary by Hannah
Comments
Brilliant aria "Flieht, flieht aus unserm Blicke" 8:29! Jiří Antonín Benda reaches the heights of Teleman here. Klaus Mertens is great.
in which language is this?
Please allow to equally express my heartfelt thanks for sharing such a beautiful cantata. Funny though, albeit it be from the classical period, I can't help sensing a few remnants of baroque influence here, a bit like in J.S Bach's musical tradition.
thank you!!
