Eugene Thacker's latest album, Sketches For Biotech Research, is a haunting and thought-provoking collection of ambient tracks that explore the intersection of technology, biology, and philosophy. Thacker, who is known for his work in the fields of media theory and philosophy, brings his unique perspective to bear on the subject of biotech research, creating a series of soundscapes that are both beautiful and unsettling.
The album opens with the track "Biotech Research I", which sets the tone for what is to come with its eerie, pulsating tones and distorted vocal samples. From there, Thacker takes the listener on a journey through a series of sonic landscapes that evoke the strange and often unsettling world of biotech research.
Tracks like "Viral Vectors" and "CRISPR-Cas9" use a combination of glitchy electronics and atmospheric sounds to create a sense of unease, while "Gene Editing" and "Synthetic Biology" feature more organic instrumentation, with shimmering guitars and ethereal vocals adding a sense of beauty to the proceedings.
Throughout the album, Thacker's use of sound is masterful, with each track building on the last to create a cohesive whole. The result is an album that is both challenging and rewarding, with each listen revealing new depths and nuances.