MusiQ
Track | Duration | Preview |
---|---|---|
Game Above My Head (Long Version) | 7:14 | |
Feel Me | 6:00 | |
Living On The Ceiling | 4:46 | |
Murder (Demo) | 4:55 | |
That's Love That It Is | ||
God's Kitchen | 3:06 | |
Vishnu | 4:45 | |
Time Became The Tide (Demo) | 6:45 | |
Blind Vision | ||
Murder | ||
Get out of That | 04:26 | |
All Things Are Nice | ||
That's Love That It Is (Extended) | 6:35 | |
See The Train | ||
If You Want To Be Hip (Demo) | 3:47 | |
The Day Before You Came | ||
All Things Are Nice (Version) | 4:14 | |
Don't Tell Me | ||
That's Love That It Is (Remix) | 7:34 | |
Don't Tell Me (Remix) | 6:52 | |
Vishnu (Full Length) | 5:21 | |
See the Train | 02:05 | |
Vishnu (Short Version) | 4:46 | |
Blind Vision (Long Version) | 9:40 | |
That's Love That It Is | 04:20 | |
Feel Me (Live Version) | 6:25 | |
Blind Vision (Martyn Ware Version) | 2:21 | |
Kind | 4:25 | |
Time Became the Tide | 04:50 | |
Game Above My Head | ||
It Never Rains (Demo) | 3:16 | |
Heaven Knows Where Heaven Is | 3:25 | |
I Can't Explain | 4:09 | |
The Day Before You Came (Extended) | 7:59 | |
Time Became The Tide | ||
Get Out Of That | 4:26 | |
My Baby | ||
Blind Vision (Instrumental / Dub Version) | 6:42 | |
On Our Way To? | 5:37 | |
Don't Tell Me (Extended) | 6:25 | |
Vishnu (Instrumental) | 4:53 | |
Don't Tell Me | 03:31 |
Role | Company |
---|---|
Published By | Bocu Music |
Phonographic Copyright (p) | London Records Ltd. |
Copyright (c) | London Records Ltd. |
Pressed By | Carlton Productions |
Recorded At | Island Studios |
Made By | Symphonia (Wholesale) Ltd. |
Marketed By | PolyGram Records Pty. Limited |
Distributed By | Barclay |
Printed By | Polygram Industries Messageries |
Engineered At | Sarm East Studios |
Manufactured By | Polydor K.K. |
Lacquer Cut At | Master Room |
Record Company | Sire Records Company |
Licensed From | London Records |
Mastered At | TELDEC-Studio, Hamburg |
Designed At | Mac Concept |
Role | Credit |
---|---|
Design | Marcx, M. Atkins, Town & Country Planning |
Engineer | Jay Mark (tracks: A2, A3, A5 to B5) |
Engineer [Assistant | Matthew Wallace (tracks: A2, A3, A5 to B5) |
London] | Matthew Wallace (tracks: A2, A3, A5 to B5) |
New York] | Elisa Gura (tracks: A2, A3, A5 to B5), Glenn Rosenstein (tracks: A2, A3, A5 to B5), Jimmy Santis (tracks: A2, A3, A5 to B5), Linda Randazzo (tracks: A2, A3, A5 to B5) |
Keyboards | Stephen Luscombe |
Piano | Stephen Luscombe |
Trumpet | Stephen Luscombe |
Lacquer Cut By | Arun |
Producer | John Luongo (tracks: A3 to B5) |
Voice | Neil Arthur |
Drums | Neil Arthur |
Clarinet | Neil Arthur |
Written-By | Arthur (tracks: A1 to B4), Luscombe (tracks: A1 to B4) |
Guitar | David Rhodes (tracks: A3, A5, B1, B3, B4) |
Horns | The Uptown Horns (tracks: A3, A5, B4) |
Percussion | Bashira Johnson (tracks: A3 to A5) |
Tabla | Pandit Dinesh (tracks: A1, B1, B3, B4) |
Vocals | Neil Arthur |
Engineer [In London | Matthew Wallace |
Assisted By] | Matthew Wallace |
Engineer [In New York | Elisa Gura, Glenn Rosenstein, Jimmy Santis, Linda Randazzo, Melanie West |
Management | John Owen Williams, Paul Smith |
Liner Notes | Michinari "My" Yamada |
Mastered By | Arun |
Composed By | Andersson/Ulvaeus (tracks: A5), Arthur (tracks: A1 to B4), Luscombe (tracks: A1 to B4) |
Backing Vocals | James St James (tracks: 3-1 to 3-4), Lorenza Johnson (tracks: 3-5 to 3-16), Ruby James (tracks: 3-1 to 3-16), Sylvia Mason (tracks: 3-1 to 3-4), Vicki St James (tracks: 3-1 to 3-4) |
Compiled By | Blancmange, Steve Malins |