Review by Edword Kalimbetov

Entkunstung Journal I, a compilation album featuring various artists, is an immersive sonic experience that takes the listener on a journey through different soundscapes and moods. From ambient drones to glitchy beats, the album showcases a diverse range of experimental electronic music that challenges conventional notions of composition and structure.

The album opens with "Lavender," a dreamy and ethereal track by Celer, which sets the tone for the rest of the album. The following tracks, such as "Vegetation as Future" by Felicia Atkinson and "A New World" by Marcus Fischer, continue to explore the theme of nature and its relationship with technology. The use of field recordings, found sounds, and processed instruments create a sense of organic and synthetic textures that blend seamlessly together.

One of the standout tracks on the album is "Bleeding Through" by Sarah Davachi, which features haunting piano melodies and eerie drones that evoke a sense of melancholy and nostalgia. The track builds up gradually, adding layers of sound and tension, until it reaches a climactic point that leaves the listener with a sense of catharsis.

Summary by Edword Kalimbetov

Entkunstung Journal I is a well-curated collection of experimental electronic music that showcases the talent and creativity of its featured artists. The album is not meant for casual listening, but for those who are willing to immerse themselves in the sonic landscapes and explore the boundaries of what music can be.