Schnittke, Boris Berman - Piano Music

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Review by Steven Bond

The album Piano Music by Schnittke, Boris Berman, is a collection of pieces that showcases the composer's unique style and the pianist's virtuosic abilities. The album features a range of works, from the hauntingly beautiful "Piano Sonata No. 1" to the playful "Five Aphorisms."

Berman's interpretation of Schnittke's music is both sensitive and powerful, capturing the composer's use of dissonance and unconventional harmonies. The pianist's technical skill is particularly evident in the "Piano Sonata No. 2," a challenging work that requires precision and control.

The album also includes some of Schnittke's lesser-known works, such as "Improvisation and Fugue," which showcases the composer's ability to blend traditional forms with modern techniques. Berman's performance of this piece is particularly impressive, as he navigates the complex counterpoint with ease.

Download Schnittke, Boris Berman - Piano Music
Artist: Schnittke, Boris Berman
Album: Piano Music
Rating: 5.0

Table of Contents

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Filename: schnittke-boris-berman-piano-music.rar
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Tracks

TrackDurationPreview
2 In Den Bergen0:34
1 Volkstanzmelodie0:32
II Allegro2:33
III Lento4:46
Four Pieces(3:11)
3 Kuckuck Und Specht -0:44
IV Senza Tempo2:10
Prelude And Fugue(9:06)
III Allegro Moderato6:18
I Moderato5:58
Piano Sonata No. 2(17:44)
I Moderato Assai4:08
IV Allegro3:38
Prelude -3:51
Five Aphorisms(13:29)
II Lento5:23
Vatiations On A Chord7:02
I Lento5:9
II Allegretto2:07
V Grave2:55
4 Melodie1:17
Piano Sonata No. 3(17:02)
Improvisation And Fugue(6:07)
Fugue5:14
Improvisation -1:36

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Catalog Numbers

CHAN 9704

Labels

Chandos

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Formats

  • CD
  • Album

Companies

RoleCompany
Phonographic Copyright (p)Chandos Records Ltd
Copyright (c)Chandos Records Ltd
Recorded AtThe Maltings

Credits

RoleCredit
Booklet EditorKara Reed
Composed ByAlfred Schnittke
DesignD.M. Cassidy
EngineerPeter Newble
EditorPeter Newble
Liner NotesAlexander Ivashkin, Boris Berman
Photography ByNigel Luckhurst
PianoBoris Berman
ProducerAdrian Hunter
TypographyDave Partridge

Notes

  • Recording venue: Snape Maltings Concert Hall; 23-25 March 1996
  • Liner notes:
  • © 1998 Alexander Ivashkin
  • © 1998 Boris Berman
  • Copyright Musikverlag Hans Sikorski, Hamburg (all works)
  • ℗ 1998 Chandos Records Ltd. © 1998 Chandos Records Ltd.
  • Printed in the EU

Barcodes

  • Barcode (Scanned): 095115970423
  • Barcode (Text): 0 95115 97042 3
  • Matrix / Runout: 87432 CHAN 9701=4 : 2 : 1 : 1
  • Mastering SID Code: IFPI L041
  • Mould SID Code: IFPI 7303
  • Label Code: LC 7038
  • SPARS Code: DDD
  • Rights Society: MCPS

About Schnittke, Boris Berman

Alfred Schnittke (1934-1998) was born on 24 November 1934 in Engels, on the Volga River, in the Soviet Union. His father was born in Frankfurt to a Jewish family of Russian origin who had moved to the USSR in 1926, and his mother was a Volga-German born in Russia. Schnittke began his musical education in 1946 in Vienna where his father, a journalist and translator, had been posted. In 1948 the family moved to Moscow, where Schnittke studied piano and received a diploma in choral conducting. From 1953 to 1958 he studied counterpoint and composition with Yevgeny Golubev and instrumentation with Nikolai Rakov at the Moscow Conservatory. Schnittke completed the postgraduate course in composition there in 1961 and joined the Union of Composers the same year. He was particularly encouraged by Phillip Herschkowitz, a Webern disciple, who resided in the Soviet capital. In 1962, Schnittke was appointed instructor in instrumentation at the Moscow Conservatory, a post which he held until 1972. Thereafter he supported himself chiefly as a composer of film scores; by 1984 he had scored more than 60 films. Noted, above all, for his hallmark "polystylistic" idiom, Schnittke has written in a wide range of genres and styles. His Concerto Grosso No. 1 (1977) was one of the first works to bring his name to prominence. It was popularized by Gidon Kremer, a tireless proponent of his music. Many of Schnittke's works have been inspired by Kremer and other prominent performers, including Yury Bashmet, Natalia Gutman, Gennady Rozhdestvensky and Mstislav Rostropovich. Schnittke first came to America in 1988 for the "Making Music Together" Festival in Boston and the American premiere of Symphony No. 1 by the Boston Symphony Orchestra. He came again in 1991 when Carnegie Hall commissioned Concerto Grosso No. 5 for the Cleveland Orchestra as part of its Centennial Festival, and again in 1994 for the world premiere of his Symphony No. 7 by the New York Philharmonic and the American premiere of his Symphony No. 6 by the National Symphony. Schnittke composed 9 symphonies, 6 concerti grossi, 4 violin concertos, 2 cello concertos, concertos for piano and a triple concerto for violin, viola and cello, as well as 4 string quartets and much other chamber music, ballet scores, choral and vocal works. His first opera, Life with an Idiot, was premiered in Amsterdam (April 1992). His two new operas, Gesualdo and Historia von D. Johann Fausten were unveiled in Vienna (May 1995) and Hamburg (June 1995) respectively. From the 1980s, Schnittke's music gained increasing exposure and international acclaim. Schnittke has been the recipient of numerous awards and honors, including Austrian State Prize in 1991, Japan's Imperial Prize in 1992, and, most recently the Slava-Gloria-Prize in Moscow in June 1998; his music has been celebrated with retrospectives and major festivals worldwide. More than 50 compact discs devoted exclusively to his music have been released in the last ten years. In 1985, Schnittke suffered the first of a series of serious strokes. Despite his physical frailty, however, Schnittke suffered no loss of creative imagination, individuality or productivity. Beginning in 1990, Schnittke resided in Hamburg, maintaining dual German-Russian citizenship. He died, after suffering another stroke, on 3 August 1998 in Hamburg. He was married to pianist .

Real Name

    • Alfred Garyevich Schnittke (Russian: Альфред Гарриевич Шнитке)

Name Vars

  • A. Schnittke
  • A. Shnitke
  • A. Šnitke
  • A.Schnittke
  • A.Шнитке
  • Alfred Garrievitch Schnittke
  • Alfred Schnitke
  • Alfred Šnitke
  • Schnitke
  • Schnittke
  • А. Шнитке
  • А.Шнитке
  • Альфред Шнитке
  • Альфред Шнітке
  • Шнитке
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Summary by Steven Bond

Piano Music by Schnittke, Boris Berman, is a must-have for fans of contemporary classical music. The album is a testament to both the composer's unique voice and the pianist's exceptional talent. Highly recommended.