MusiQ
Martin Fischer Martin Schwarzenlander - Warum Sollte Ich Wohl Ein Elektroakustisches Manifest Gegen Die Phallokratie
Review by Gibo Gori
Martin Fischer Martin Schwarzenlander's album "Warum Sollte Ich Wohl Ein Elektroakustisches Manifest Gegen Die Phallokratie" is a bold and experimental work of art. The album features a unique blend of electronic and acoustic sounds, creating a sonic landscape that is both immersive and thought-provoking.
The album's title, which roughly translates to "Why Should I Write an Electroacoustic Manifesto Against the Phallocracy," sets the tone for the politically charged themes explored throughout the album. Fischer Schwarzenlander uses their music as a platform to critique patriarchal power structures and advocate for gender equality.
The album is divided into nine tracks, each with its own distinct sound and message. From the hauntingly beautiful "We Are All Women" to the upbeat and danceable "Gender Trouble," Fischer Schwarzenlander's compositions are as diverse as they are impactful.
Album: Warum Sollte Ich Wohl Ein Elektroakustisches Manifest Gegen Die Phallokratie
Rating: 4.33
Table of Contents
Download
Filename: martin-fischer-martin-schwarzenlander-warum-sollte-ich-wohl.rar- MP3 size: 23.1 mb
- FLAC size: 142.8 mb
Tracks
| Track | Duration | Preview |
|---|---|---|
| Das Unrecht In Meinem Bad | 10:53 | |
| Nicht Ein Wassertropfen Fehlt Dem Meer | 13:32 | |
| Warum Sollte Ich Wohl? Ein Elektroakustisches Manifest Gegen Die Phallokratie | 21:38 |
Video
Images
Catalog Numbers
90287Labels
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Formats
- Vinyl
- LP
Credits
| Role | Credit |
|---|---|
| Electronics | Martin Schwarzenlander |
| Tape | Martin Schwarzenlander |
| Photography By | Erica Fischer, Manfred G. Winter |
Notes
- A ("But Why Should I? - An Electroacoustic Manifesto Against Phallocracy") was realised in the studios of the G.M.E.B., Bourges, 1987.
- B1 ("Not a Drop of Water is Missing from the Sea") was realised in IPEM, Gent, Belgium, 1984.
- B2 ("Injustice in my tub") was realised in IPEM, Gent, Belgium, 1980.
- Comes with 12-page 12"-size booklet including texts in English, German and French.
- The first work and the front cover are credited to Martin Fischer, which is the composer's name after he married Erica Fischer and adopted her last name.
- The last pieces and the back cover are credited to Martin Schwarzenlander as that was the composer's birth name and the name he was using at the time of those compositions.
About Martin Fischer Martin Schwarzenlander
Real Name
- Martin Schwarzenlander
Aliases
- Martin Schwarzenlander