MusiQ
Track | Duration | Preview |
---|---|---|
Don't You Get So Mad | 3:51 | |
ready for your love | ||
Stay With Me Tonight | 4:10 | |
Forever Mine | 5:23 | |
Plane Love | 4:4 | |
Greatest Love Affair | 5:4 | |
Baby | 4:18 | |
When Are You Comin' Back? | 04:06 | |
When Are You Comin' Back? | 4:01 | |
Dont you get so mad | 3:00 | |
Stay With Me Tonight (Extended American Re-Mix) | 6:42 | |
Don't You Get So Mad | ||
Stay With Me Tonight | 4:58 | |
Stay With Me Tonight (Extended Remixed Version) | 4:10 | |
When Are You Coming Back? | ||
Stay With Me Tonight (Dub Version) | 6:42 | |
Stay With Me Tonight (Dub Version) | 6:42 | |
We're Going All the Way | 4:17 | |
Two Wrongs Don't Make A Right | 4:44 | |
baby | ||
Two Wrongs Don't Make A Right | ||
We're Going All The Way | ||
When Are You Comin Back | 4:5 | |
New Love | ||
So Much Love | 4:13 | |
I'll Make Believe | ||
Stay With Me Tonight (Edited Version) | 4:10 | |
Stay With Me Tonight (U.S. Club Mix) | ||
Other Side Of The Coin | ||
I'll Make Believe | 5:8 | |
Two Wrongs Don't Make It Right | 04:43 | |
The Jeffrey Osborne Soul Mix | (8:30) | |
Other Side of the Coin | 3:41 | |
Ready For Your Love | 3:59 | |
I Really Don't Need No Light |
Role | Company |
---|---|
Manufactured By | A&M Records Of Canada Limited |
Distributed By | A&M Records Of Canada Limited |
Phonographic Copyright (p) | A&M Records, Inc. |
Copyright (c) | A&M Records, Inc. |
Produced For | George Duke Enterprises |
Pressed By | CBS Pressing Plant, Aston Clinton |
Published By | Zubaidah Music |
Licensed From | A&M Records, Inc. |
Recorded At | The Complex |
Mastered At | Allen Zentz Mastering |
Licensed To | A&M Records Ltd. |
Made By | Denon/Nippon Columbia Co., Ltd. (Japan). |
Role | Credit |
---|---|
Engineer | Tommy Vicari |
Producer | George Duke |
Remix | Bill Bottrell |
Mastered By | Tone Ü |
Acoustic Guitar | Earl Klugh (tracks: B2, B4) |
Arranged By | George Duke |
Vocals | Jeffrey Osborne |
Art Direction | Chuck Beeson, Lynn Robb |
Backing Vocals | Jeffrey Osborne (tracks: A1 to A3, A5 to B5), Lynn Davis (tracks: A1, A3), Marcy Levy (tracks: A2, B1, B5), Portia Griffin (tracks: A5, B2) |
Bass | Abraham Laboriel (tracks: A4, B2) |
Conductor | George Del Barrio (tracks: A1, A4, B2) |
Design | Lynn Robb |
Drums | Stephen Ferrone (tracks: A1, A2, A4, B1 to B3, B5) |
Electric Piano | George Duke (tracks: A2, B2, B4) |
Guitar | Michael Sembello (tracks: A1, A2, A4, A5), Paul Jackson Jr. (tracks: A3, B1) |
Soloist | Brian May (tracks: A3, B5) |
Lead Vocals | Jeffery Osborne (tracks: A1 to A3, A5 to B5) |
Percussion | Paulinho DaCosta (tracks: A1, A3, B1, B3 to B5) |
Photography By | Lisa Powers |
Piano | George Duke (tracks: A2, A4, B2) |
Synthesizer | Don Freeman (tracks: B1, B3) |
Tenor Saxophone | Larry Williams (tracks: A1, B1) |
Trombone | Bill Reichenbach (tracks: A1, B1) |
Trumpet | Gary Grant (tracks: A1, B1), Jerry Hey (tracks: A1, B1, B3) |
Management | Jack Nelson & Associates |
Consultant | John McClain, Judy Weinstein (tracks: B) |
Written-By | Raymond Jones |
Artwork | Lynn Robb |
Lacquer Cut By | Tone |
Coordinator | Cheryl R. Brown |
The Millenials were just babies in the 1980's.
No, the 1980s and the 199ps are totally Generation X.
Such a shame