The album "Alcina" by George Malcolm, Richard Bonynge, London Symphony Chorus, and The London Symphony Orchestra is a magnificent interpretation of Georg Friedrich Händel's masterpiece. The performance is both powerful and delicate, capturing the essence of the Baroque era with its intricate harmonies and ornamentation.
The London Symphony Orchestra shines throughout the album, providing a solid foundation for the soloists and chorus. The strings are particularly impressive, with their precise articulation and rich tone. The woodwinds and brass also add color and depth to the overall sound.
The soloists are equally impressive, with each bringing their own unique interpretation to their respective roles. The standout performances include Arleen Augér as Alcina, Helen Watts as Bradamante, and John Mitchinson as Oronte. Their voices blend seamlessly with the orchestra and chorus, creating a cohesive and harmonious sound.
The London Symphony Chorus is also noteworthy, providing a strong and powerful vocal presence throughout the album. Their performance in the Act III chorus "Di, cor mio, quanto t'amai" is particularly moving, with their voices soaring above the orchestra.