Review by Kris Olin

Eudóxia De Barros is a renowned Brazilian pianist who has recently released an album titled "Interpreta," featuring works by Osvaldo Lacerda, Camargo Guarnieri, Shostakovich, Brahms, and Rachmaninov. The album is a beautiful collection of classical compositions that showcase Eudóxia's virtuosity and musicality.

The album opens with Osvaldo Lacerda's "Sonatina No. 2," a lively and energetic piece that sets the tone for the rest of the album. Eudóxia's interpretation of the piece is masterful, with her fingers dancing across the keys in a way that is both playful and precise.

Next up is Camargo Guarnieri's "Sonata No. 2," a hauntingly beautiful piece that showcases Eudóxia's ability to convey emotion through her playing. Her interpretation of the piece is sensitive and nuanced, with each note ringing out with clarity and purpose.

The album then moves on to Shostakovich's "Prelude and Fugue No. 24," a complex and challenging piece that Eudóxia handles with ease. Her interpretation of the piece is powerful and dynamic, with each note building to a thrilling climax.

The album then takes a turn towards the romantic, with Brahms' "Intermezzo in A Major" and Rachmaninov's "Prelude in G Minor." Eudóxia's interpretations of these pieces are both tender and passionate, with her fingers delicately caressing the keys in one moment and thundering down upon them in the next.

Summary by Kris Olin

"Interpreta" is a stunning album that showcases Eudóxia De Barros' talents as a pianist and interpreter of classical music. Her playing is both technically impressive and emotionally resonant, making this album a must-listen for fans of classical piano music.