MusiQ
Track | Duration | Preview |
---|---|---|
Western Union (Takes 2, 3) | 3:22 | |
He's Your Uncle (Not Your Dad) | ||
He's Your Uncle, Not Your Dad | 2:25 | |
Goin' Home (Takes 16, 23) | 3:57 | |
He's Your Uncle Not Your Dad | 2:25 | |
Let Yourself Go (Take 5) | 3:05 | |
Goin' Home (Takes 24, 21) | 3:01 | |
Who Are You (Who Am I?) | 2:32 | |
Western Union | 2:10 | |
Who Are You (Who Am I) | 2:32 | |
Your Groovy Self (Master) | 2:55 | |
Western Union (Take 1) | 2:05 | |
Suppose | 2:01 | |
Suppose (Nashville Master) | 3:03 | |
There Ain't Nothing Lika A Song | 2:06 | |
Your Groovy Self | 2:54 | |
Mine | 2:36 | |
Mine (Takes 1, 2, 3, 4) | 5:36 | |
Speedway | 2:10 | |
Your Time Hasn't Come Yet, Baby | 1:49 | |
Mine Takes 8, 9) | 3:25 | |
Five Sleepy Heads | 1:29 | |
Let Yourself Go (Take 6) | 3:15 | |
Goin' Home | 2:23 | |
Let Yourself Go | 2:56 | |
Five Sleepyheads | ||
Who Are You? (Who Am I?) | 2:32 | |
Your Time Hasn't Come Yet, Baby (Movie Version) | 2:02 | |
Your Time Hasn't Come Yet Baby | 1:49 | |
There Ain't Nothing Like A Song | 2:06 |
Role | Company |
---|---|
Made By | RCA Schallplatten GmbH |
Manufactured For | RCA Of Australia Pty. Ltd. |
Phonographic Copyright (p) | Follow That Dream Records |
Copyright (c) | Follow That Dream Records |
Recorded At | MGM Studios |
Mastered At | Abbey Road Studios |
Manufactured By | RCA Records Pressing Plant, Indianapolis |
Published By | Carlin Music Corp. |
Role | Credit |
---|---|
Bass | Bob Moore (tracks: A1 to B6, C2 to D6, D8 to D9), Chuck Berghofer (tracks: C1, D7) |
Design | Jimmy Carpenter |
Artwork By | Jimmy Carpenter |
Drums | Buddy Harman (tracks: A1 to B6, C2 to D6, D8 to D9), D.J. Fontana (tracks: A1 to B6, C2 to D6, D8 to D9), Hal Blaine (tracks: C1, D7) |
Film Director | Norman Taurog |
Guitar | Al Casey (tracks: C1, D7), Chip Young (tracks: A1 to B6, C2 to D6, D8 to D9), Don Owens (tracks: C1, D7), Tiny "Tiny" Timbrell (tracks: A1 to B6, C2 to D6, D8 to D9), Tommy Tedesco (tracks: A1 to B6, C2 to D6, D8 to D9) |
Mastered By | Sebastian Jeansson |
Piano | Charlie Hodge (tracks: A1 to B6, C2 to D6, D8 to D9), Don Randi (tracks: C1, D7), Larry Knechtel (tracks: C1, D7), Larry Muhoberac (tracks: A1 to B6, C2 to D6, D8 to D9) |
Producer | Roger Semon |
Art Direction | Roger Semon |
Remix | Sebastian Jeansson, Vic Anesini |
Saxophone | Boots Randolph (tracks: A1 to B6, C2 to D6, D8 to D9) |
Steel Guitar | Pete Drake (tracks: A1 to B6, C2 to D6, D8 to D9) |
Trombone | Dick Hyde (tracks: C1, D7) |
Trumpet | Charlie McCoy (tracks: A1 to B6, C2 to D6, D8 to D9), Oliver Mitchell (tracks: C1, D7), Roy Caton (tracks: C1, D7), Virgil Evans (tracks: C1, D7) |
Backing Vocals | The Jordanaires (tracks: A1-6, B2-4, B6) |
Liner Notes | 八木 誠 |
As I am sure someone must have already commented, the design for the car dining seats in the Jack Rabbit Slim club (here) inspired the scene in Pulp Fiction where Travolta dances with Uma Thurman.
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"Elvis had the total package ...looks.. voice... charisma... style" and I agree !! This is one of my favorite movie songs !!