Review by Dee Rogers

Jazz Mas Tres is an exceptional album by the legendary bassist and composer Charlie Mingus. Released in 1978, the album features Mingus' signature style of jazz, blending elements of bebop, blues, and avant-garde. The album is a testament to Mingus' musical genius, showcasing his virtuosity as a bassist and his ability to create complex yet accessible compositions.

The album begins with the lively and upbeat "Cumbia & Jazz Fusion," a fusion of Latin and jazz rhythms that sets the tone for the rest of the album. Mingus' bass playing is at its best on this track, providing a solid foundation for the rest of the band to build upon. The album continues with "Los Mariachis," a beautiful ballad that showcases Mingus' sensitive side. The track features some of the most melodic and lyrical playing on the album, with Mingus' bass taking on a more prominent role.

One of the standout tracks on the album is "Flamingo Sketches," a tribute to Miles Davis' classic album Kind of Blue. Mingus takes the basic structure of Davis' composition and adds his own unique touches, creating a haunting and mesmerizing piece of music. The album closes with "Meegs' Prayer," a heartfelt and introspective piece that showcases Mingus' spiritual side.

Summary by Dee Rogers

Jazz Mas Tres is a must-have for any jazz fan. Mingus' compositions are complex and challenging, yet accessible and highly enjoyable. The album features some of the best musicians of the time, including Don Pullen on piano, George Adams on saxophone, and Dannie Richmond on drums. The result is a timeless masterpiece that showcases the brilliance of one of the greatest jazz musicians of all time.