MusiQ
Beethoven, Charles Munch, Boston Symphony Orchestra - Sinfonia N9 In Re Minore Op125 Corale
Review by Mikko Meriharju
The album Sinfonia N9 In Re Minore Op125 Corale by Beethoven, Charles Munch, Boston Symphony Orchestra is a magnificent masterpiece of classical music. The album features the legendary Beethoven's Ninth Symphony, which is often regarded as one of the greatest symphonies ever written. The performance is conducted by the renowned Charles Munch, who leads the Boston Symphony Orchestra in a stunning rendition of this iconic piece of music.
From the very first notes, the listener is transported into a world of pure musical bliss. The orchestra's performance is impeccable, with every instrument perfectly balanced and blended together to create a rich, full-bodied sound. The choir's performance is equally impressive, with their voices soaring and blending seamlessly with the orchestra. The final movement, with its famous "Ode to Joy" chorus, is a stirring and emotional experience that leaves the listener feeling uplifted and inspired.
The album is beautifully recorded, capturing every nuance of the performance with crystal-clear clarity. The packaging is also top-notch, with a detailed booklet that provides background information on the composition and the performers.
Album: Sinfonia N9 In Re Minore Op125 Corale
Rating: 5.0
Table of Contents
Download
Filename: beethoven-charles-munch-boston-symphony-orchestra-sinfonia-n9.rar- MP3 size: 18 mb
- FLAC size: 263.5 mb
Tracks
| Track | Duration | Preview |
|---|---|---|
| Quarto Movimento: Presto; Allegro Assai | ||
| Primo Movimento: Allegro Ma Non Troppo, Un Poco Maestoso | ||
| Terzo Movimento: Adagio Molto E Cantabile; Andante Moderato: Adagio (Conclusione) | ||
| Terzo Movimento: Adagio Molto E Cantabile; Andante Moderato; Adagio (Parte Prima) | ||
| Secondo Movimento: Molto Vivace; Presto |
Video
Beethoven - Symphony n°9 - Boston / Munch
Images
Catalog Numbers
KV 10Labels
RCA VictrolaListen online
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Formats
- Vinyl
- LP
Credits
| Role | Credit |
|---|---|
| Bass Vocals | Giorgio Tozzi |
| Contralto Vocals | Maureen Forrester |
| Directed By | Charles Munch |
| Orchestra | Lorna Cook De Varon |
| Soprano Vocals | Leontyne Price |
| Tenor Vocals | David Poleri |
About Beethoven, Charles Munch, Boston Symphony Orchestra
German composer and pianist, born in 1770 (baptized 17 December 1770) in Bonn, Germany and died 26 March 1827 in Vienna, Austria.
A crucial figure in the transition between the Classical and Romantic eras in classical music. Beethoven led Viennese Classicism to its highest development and paved the way for Romantic music.
Beethoven was the eldest son of a singer in the Kapelle of the Archbishop-Elector of Cologne and grandson of the Archbishop's Kapellmeister. He moved in 1792 to Vienna, where he had some lessons from Haydn and others, quickly establishing himself as a remarkable keyboard-player and original composer. By 1815 increasing deafness made public performance impossible and accentuated existing eccentricities of character, patiently tolerated by a series of rich patrons and his royal pupil the Archduke Rudolph.
Beethoven did much to enlarge the possibilities of music and widen the horizons of later generations of composers. To his contemporaries he was sometimes a controversial figure, making heavy demands on listeners both by the length and by the complexity of his writing, as he explored new fields of music.
Real Name
- Ludwig van Beethoven
Name Vars
- BEETHOVEN
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- L.W. Beethoven
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- LVBeethoven
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- Mozart
- The Concertos
- V. Beethoven
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- Van Beethoven, Ludwig
- beethoven
- v. Beethoven
- v.Beethoven
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- van Beethoven, L.
- van Beethoven, Ludwig
- Μπετόβεν
- Бетховен
- Бетховен Людвиг Ван
- В. Бетховен
- Л. Бетговен
- Л. Бетовен
- Л. Бетховен
- Л. Бетховен - Anatoly Nikitin - Felicia Fondaminskaya
- Л. В. Бетховен
- Л. Ван Бетховен
- Л. в. Бетховен
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- Лудвиг Ван Бетовен
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- Людвиг Бетховен
- Людвиг В. Бетховен
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- בטהובן
- ל. ו. בטהובן
- ל. ואן בטהובן
- بتهوفن
- بتهوون
- بيتهوفن
- بيتهوڤن
- لودویگ وان بتهوون
- ÙüÈô§ó
- ÙüÈüÙó
- ÙüÈüô§
- ÙüÈüô§ó
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It just make sense
I have listened to this at least 3 times and it’s just on point.
Musicians aren’t rushing to get through it it . They hit the notes and hit them hard.
Oh I love it
Thank you thank you thank you
It’s ferocious loud and explosif Beethoven style.
I like Beethoven because of those reasons.
He can put thunder during a storm into musical notes
Booooooom
I heard sounds I never heard before
This is studio quality..but I have heard other studio quality before but not like this.
Wow