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Ludwig Van Beethoven, AmadeusQuartett - Beethoven Edition 1977 Streicherquartette Streicherquintett
Review by tariq ezzalden
The Beethoven Edition 1977 Streicherquartette Streicherquintett by Ludwig Van Beethoven, performed by the Amadeus Quartett, is a must-have for classical music enthusiasts. The album features some of Beethoven's most beloved works, including his famous String Quartet No. 14 in C-sharp minor, Op. 131, and String Quintet in C major, Op. 29.
The Amadeus Quartett's interpretation of these pieces is nothing short of breathtaking. Their performance is characterized by a deep understanding of the music, impeccable technique, and a profound emotional resonance. The quartet's ability to convey the full range of Beethoven's emotions, from the tender and introspective to the grand and heroic, is truly remarkable.
One of the album's standout tracks is the String Quartet No. 14 in C-sharp minor, Op. 131. The Amadeus Quartett's rendition of this work is particularly moving, with each member contributing to the overall sense of drama and intensity. The quartet's interpretation of the final movement, in particular, is a masterful display of their virtuosity and musical sensitivity.
The String Quintet in C major, Op. 29, is another highlight of the album. The Amadeus Quartett is joined by cellist William Pleeth for this piece, and the resulting performance is a true tour de force. The quintet's interplay is seamless, with each member contributing to the overall sense of harmony and unity.
Album: Beethoven Edition 1977 Streicherquartette Streicherquintett
Rating: 5.0
Table of Contents
Download
Filename: ludwig-van-beethoven-amadeusquartett-beethoven-edition-1977.rar- MP3 size: 231 mb
- FLAC size: 2712.6 mb
Tracks
| Track | Duration | Preview |
|---|---|---|
| 2. Satz: Adagio, Ma Non Troppo E Molto Cantabile | ||
| 5. Satz: Allegro Appassionato - Presto | ||
| 4. Satz: Larghetto Espressivo - Allegretto Agiato | ||
| 2. Satz: Allegretto | ||
| 3. Satz: Andante Cantabile. Thema - Variationen I-V - Coda. Poco Adagio | ||
| 4. Satz: Alla Marcia, Assai Vivace - Più Allegro - Attacca | ||
| 6. Satz: Adagio Quasi Un Poco Andante | ||
| 2. Satz: Adagio Ma Non Troppo | ||
| 2. Satz: Scherzo. Andante Scherzoso Quasi Allegretto | ||
| 7. Satz: Allegro | ||
| 4. Satz: Andante, Ma Non Troppo E Molto Cantabile | ||
| 3. Satz: Andante Con Moto, Ma Non Troppo | ||
| 2. Satz: Andante Con Moto | ||
| 2. Satz: Allegro Ma Non Tanto | ||
| 1. Satz: Introduzione. Andante Con Moto - Allegro Vivace | ||
| 3. Satz: Allegretto | ||
| 2. Satz: Allegro Molto Vivace | ||
| 3. Satz: Molto Adagio. Heiliger Dankgesang Eines Genesenen An Die Gottheit In Der LYdischen Tonart - Andante. Neue Kraft Fühlend - Molto Adagio. Mit Innigster Empfindlichkeit | ||
| 3. Satz: Lento Assai, Cantate E Tranquillo | ||
| 3. Satz: Allegro Assai Vivace Ma Serioso | ||
| 1. Satz: Maestoso - Allegro | ||
| 5. Satz: Cavantina. Adagio Molto Espressivo | ||
| 4. Satz: Allegretto Con Variazioni | ||
| 2. Satz: Andante Con Moto Quasi Allegretto | ||
| 2. Satz: Menuetto | ||
| 3. Satz: Menuetto, Allegretto | ||
| 4. Satz: Alla Danza Tedesca. Allegro Assai | ||
| 4. Satz: Thema Russe. Allegro | ||
| 1. Satz: Allegretto | ||
| 1. Satz: Adagio, Ma Non Troppo E Molto Espressivo | ||
| 4. Satz: Allegro - Prestissimo | ||
| 4. Satz: Allegro | ||
| 1. Satz: Allegretto Ma Non Tanto | ||
| 4. Satz: Finale | ||
| 3. Satz: Scherzando Vivace | ||
| 1. Satz: Allegro | ||
| 2. Satz: Allegretto Vivace E Sempre Scherzando | ||
| 6. Satz: Finale | ||
| Ouvertura. Allegro - Fuga, Allegro - Meno Mosso E Moderato - Allegro Molto E Con Brio | ||
| 2. Satz: Allegretto Ma Non Troppo - Attacca | ||
| 3. Satz: Presto - Più Presto Quasi Prestissimo - Attacca | ||
| 3. Satz: Allegro Moderato | ||
| 1. Satz: Poco Adagio - Allegro | ||
| 1. Satz: Allegro Moderato | ||
| 2. Satz: Adagio Affettuoso Ed Appassionato | ||
| 2. Satz: Presto | ||
| 3. Satz: Scherzo. Allegro | ||
| 1. Satz: Adagio Ma Non Troppo - Allegro | ||
| 4. Satz: Allegro Molt6o Quasi Presto | ||
| 2. Satz: Adagio Cantabile - Allegro - Tempo I | ||
| 1. Satz: Assai Sostenuto - Allegro | ||
| 2. Satz: Adagio Molto Espressivo | ||
| 4. Satz: Allegro. Molto | ||
| 3. Satz: Adagio Molto E Mesto | ||
| 3. Satz: Scherzo. Allegro Molto | ||
| 3. Satz: Scherzo - Allegro | ||
| 1. Satz: Allegro Con Brio | ||
| 3. Satz: Menuetto. Grazioso | ||
| 2. Satz: Molto Adagio | ||
| 4. Satz: La Malinconia. Adagio - Allegretto Quasi Allegro | ||
| 5. Satz: Presto | ||
| 4. Satz: Grave, Ma Non Troppo Tratto - Allegro | ||
| 4. Satz: Presto | ||
| 2. Satz: Adagio, Ma Non Troppo | ||
| 2. Satz: Vivace | ||
| 3. Satz: Allegro |
Images
Catalog Numbers
66 018Labels
Deutsche Grammophon, DonaulandListen online
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Formats
- Box Set 11 × Vinyl
- LP
Companies
| Role | Company |
|---|---|
| Printed By | Neef |
| Phonographic Copyright (p) | Polydor International GmbH |
Credits
| Role | Credit |
|---|---|
| Cello | Martin Lovett |
| Composed By | Ludwig Van Beethoven |
| Engineer | Hans-Peter Schweigmann, Harald Baudis, Heinz Wildhagen |
| Liner Notes | Norbert Stich |
| Painting | E. Gurk, Ferdinand Waldmüller |
| Recording Supervisor | Karl Heinz Schneider, Dr. Manfred Richter, Wolfgang Lohse |
| Strings | Amadeus-Quartett |
| Viola | Peter Schidlof |
| Violin | Norbert Brainin, Siegmund Nissel |
About Ludwig Van Beethoven, AmadeusQuartett
German composer and pianist, born in 1770 (baptized 17 December 1770) in Bonn, Germany and died 26 March 1827 in Vienna, Austria.
A crucial figure in the transition between the Classical and Romantic eras in classical music. Beethoven led Viennese Classicism to its highest development and paved the way for Romantic music.
Beethoven was the eldest son of a singer in the Kapelle of the Archbishop-Elector of Cologne and grandson of the Archbishop's Kapellmeister. He moved in 1792 to Vienna, where he had some lessons from Haydn and others, quickly establishing himself as a remarkable keyboard-player and original composer. By 1815 increasing deafness made public performance impossible and accentuated existing eccentricities of character, patiently tolerated by a series of rich patrons and his royal pupil the Archduke Rudolph.
Beethoven did much to enlarge the possibilities of music and widen the horizons of later generations of composers. To his contemporaries he was sometimes a controversial figure, making heavy demands on listeners both by the length and by the complexity of his writing, as he explored new fields of music.
Real Name
- Ludwig van Beethoven
Name Vars
- BEETHOVEN
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- Μπετόβεν
- Бетховен
- Бетховен Людвиг Ван
- В. Бетховен
- Л. Бетговен
- Л. Бетовен
- Л. Бетховен
- Л. Бетховен - Anatoly Nikitin - Felicia Fondaminskaya
- Л. В. Бетховен
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- בטהובן
- ל. ו. בטהובן
- ל. ואן בטהובן
- بتهوفن
- بتهوون
- بيتهوفن
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- ÙüÈô§ó
- ÙüÈüÙó
- ÙüÈüô§
- ÙüÈüô§ó
- ÙüÈüô§ó = Beethoven
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- ô§üÈüô§ó
- ಝचʬ
- ഝचʬ
- ࣨӜไވ ఘ ಠƠತ
- ಠƠತ
- ಠƠತ (Ludwig Van Beethoven)