Review by Tisha Berg

Il Teatro Degli Orrori's latest album, Raro, is a unique and compelling addition to their discography. The band's signature blend of post-punk, noise rock, and experimental soundscapes is on full display here, but there's also a newfound sense of maturity and refinement to their sound.

The album's opener, "Delitto e castigo," sets the tone with its brooding bassline and ominous atmosphere, while "Sogni di cristallo" showcases the band's knack for crafting catchy hooks amidst the chaos. Tracks like "Maledetti" and "La fine del mondo" are heavy and intense, with singer Pierpaolo Capovilla delivering his lyrics with visceral emotion.

But it's not all doom and gloom on Raro. "Il mio nome è nessuno" is a surprisingly uplifting anthem that features soaring guitar riffs and a catchy chorus. Meanwhile, "L'ultimo uomo" is a haunting ballad that showcases the band's ability to create beauty amidst the darkness.

Summary by Tisha Berg

Raro is a strong and cohesive album that showcases Il Teatro Degli Orrori's range and evolution as a band. It may not be for everyone, but for those who appreciate their brand of avant-garde rock, it's a must-listen.