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Georg Philipp Telemann Musica Antiqua Köln, Reinhard Goebel - Wassermusik Water Music Musique Sur LEau 3 Konzerte Concertos
Review by Michele Capuozzo
The album Wassermusik Water Music Musique Sur LEau 3 Konzerte Concertos by Georg Philipp Telemann Musica Antiqua Köln, Reinhard Goebel is a treat for classical music lovers. The album features three concertos that are inspired by water and its various moods. The music is performed by Musica Antiqua Köln, an ensemble known for their authentic performances of Baroque music, and conducted by Reinhard Goebel.
The first concerto, "Die Donau" (The Danube), is a lively and energetic piece that captures the spirit of the river. The second concerto, "Die Moldau" (The Vltava), is a more contemplative piece that evokes the gentle flow of the river. The third concerto, "Hamburger Ebb und Fluth" (Hamburg Ebb and Flow), is a playful and whimsical piece that depicts the ebb and flow of the tides.
The musicians of Musica Antiqua Köln deliver a stellar performance, bringing out the nuances and subtleties of Telemann's compositions. Reinhard Goebel's conducting is also noteworthy, as he guides the ensemble with precision and flair.
Album: Wassermusik Water Music Musique Sur LEau 3 Konzerte Concertos
Rating: 3.57
Table of Contents
Download
Filename: georg-philipp-telemann-musica-antiqua-kln-reinhard-goebel.rar- MP3 size: 159.8 mb
- FLAC size: 1654.4 mb
Tracks
| Track | Duration | Preview |
|---|---|---|
| 2. Allegro | 2:01 | |
| 10. Canarie. Die Lustigen Bootsleute | 1:27 | |
| 3. Allegro | 4:01 | |
| 3. Bourrée. Die Erwachende Thetis | 1:45 | |
| Concerto F-dur (In F Major • En Fa Majeur) | ||
| 1. Andante | 2:21 | |
| Concerto A-Moll (In A Minor - En La Mineur) | ||
| 2. Presto | 2:34 | |
| 5. Gavotte. Die Spielenden Najaden | 0:56 | |
| 2. Vivace – Attacca: | 2:04 | |
| Concerto In B Flat Major For 2 Recorders, 2 Oboes, Bassoon, Strings And Basso Continuo TWV 54.B2 | (10:23) | |
| Concerto B-dur (In B Flat Major • En Si Bémol Majeur) | ||
| 1. Adagio | 1:15 | |
| 1. Grave | 2:10 | |
| Concerto F-Dur (In F Major - En Fa Majeur) | ||
| Concerto In A Minor For 2 Flutes, 2 Oboes, 2 Violins And Basso Continuo TWV 44:42 | (7:03) | |
| 2. Sarabande. Die Schlafende Thetis | 2:04 | |
| 3. Affettuoso | 1:44 | |
| 2. Largo | 2:34 | |
| Concerto F-Dur (In F Major = En Fa Majeur) | ||
| 2. Vivace - Attacca: | 2:04 | |
| Ouverture C-dur, Wassermusik ∙ Water Music ∙ Musique Sur L'Eau »Hamburger Ebb' Und Flut« (In C Major - En Ut Majeur) | ||
| Wassermusik - Water Music - Musique Sur L'Eau "Hamburger Ebb' Und Flut" (In C Major - En Ut Majeur) | ||
| 1. Largo | 4:14 | |
| Concerto In F Major For Flutes, 2 Oboes, 2 Violins And Basso Continuo TWV 44:41 | (6:18) | |
| 6. Harlequinade. Der Scherzende Tritonus | 1:17 | |
| 4. Allegro | 2:20 | |
| Concerto B-Dur (In B Flat Major = En Si Bémol Majeur) | ||
| Concerto B-Dur (In B Flat Major - En Si Bémol Majeur) | ||
| 9. Gigue. Ebbe Und Flut | 1:01 | |
| 3. Cantabile | 3:08 | |
| Concerto A-Moll (In A Minor = En La Mineur) | ||
| Concerto B-dur (In B Flat Major = En Si Bémol Majeur) | ||
| Concerto In B Flat Major For 3 Oboes, 3 Violins And Basso Continuo TWV 44:43 | (9:00) | |
| 7. Der Stürmende Aeolus | 2:08 | |
| Concerto F-dur (In F Major = En Fa Majeur) | ||
| 4. Loure. Der Verliebte Neptunus | 1:52 | |
| Concerto A-moll (In A Minor = En La Mineur) | ||
| Concerto In D Minor For Chalumeaux, Strings And Basso Continuo TWV 52:d1 | (9:00) | |
| 1. Ouverture | 9:29 | |
| 8. Menuet. Der Angenehme Zephir | 2:05 | |
| 3. Adagio | 0:33 | |
| 4. [Vivace] | 1:37 | |
| 1. Allegro | 2:25 | |
| Ouverture C-Dur Wassermusik = Water Music = Musique Sur L'Eau / »Hamburger Ebb' Und Flut« (In C Major = En Ut Majeur) | ||
| Overture »Hamburger Ebb' Und Flut« (Wassermusik) For 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings And Basso Continuo TWV 55.C3 | (24:04) | |
| Concerto A-moll (In A Minor • En La Mineur) |
Images
Catalog Numbers
- 413 788-2
- 00289 479 1372
- 413 788-1 AH, 413 788-1
- 413 788-4
- 413 788-1
Labels
Archiv ProduktionListen online
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Formats
- CD
- Album
- Compilation
- Remastered
- Card sleeve
- Vinyl
- LP
- Stereo
- Gatefold
- Reissue
- Cassette
- Repress
Companies
| Role | Company |
|---|---|
| Phonographic Copyright (p) | Polydor International GmbH |
| Recorded At | Friedrich-Ebert-Halle, Hamburg |
| Printed By | Münstermann-Druck |
| Copyright (c) | Eckart Kleßmann |
| Made By | EDC, Germany |
| Pressed By | EDC, Germany |
Credits
| Role | Credit |
|---|---|
| Art Direction | Hartmut Pfeiffer |
| Bassoon | Michael McCraw |
| Cello | Christina Kyprianides, Phoebe Carrai |
| Co-producer | WDR, Köln |
| Composed By | Georg Philipp Telemann |
| Design | Elke Neuß-Burghoff |
| Directed By | Reinhard Goebel |
| Ensemble | Musica Antiqua Köln |
| Flute | Karl Kaiser, Michael Schneider |
| Harpsichord | Andreas Staier, Harald Hoeren |
| Illustration [Booklet | Etching] |
| Liner Notes | John Coombs |
| Liner Notes [German | Ⓒ1984] |
| Oboe | Hans-Peter Westermann, Randall Cook |
| Painting | Elias Galli |
| Producer | Dr. Andreas Holschneider |
| Recorder [Sopran | Sabine Bauer |
| Alt II] | Sabine Bauer |
| Recorder [Sopranino | Michael Schneider |
| Alt] | Michael Schneider |
| Recording Supervisor | Wolfgang Mitlehner |
| Engineer | Wolfgang Mitlehner |
| Viola | Hajo Bäß, Karlheinz Steeb, Klaus Bundies |
| Violin | Almut Bergmeier, Anne Röhrig, Daniel Spektor, Gunar Letzbor, Hajo Bäß, Jan Reichow, Mary Utiger, Reinhard Goebel |
| Violone | Jean-Michel Forest |
| Conductor | Reinhard Goebel |
| Executive-Producer | Charlotte Kriesch (tracks: 19 to 25), Dr. Andreas Holschneider |
| Orchestra | Musica Antiqua Köln |
| Recorder | Michael Schneider |
| Artwork | G. Lichtensteger |
| Violoncello | Christine Kyprianides, Phoebe Carrai |
| Artwork By | G. Lichtensteger |
Notes
- Ⓟ 1984 Polydor International GmbH, Hamburg.
- Digitally recorded at Friedrich-Ebert-Halle, Hamburg-Harburg, 1984. Total time: 49:10 -Stereo
- On cover Made in West Germany On disc Made in UK. Printed in West Germany by / Imprimé en RFA par Münstermann, Hannover.
- Musica Antiqua Köln on authentic instruments.
- Cover illustration: Hamburg around 1860, painting by Elias Galli;
- Museum für Hamburgische Geschichte (Ektachrome: Fischer-Daber, Hamburg).
- Booklet illustration: G. P. Telemann - Copperplate etching by G. Lichtensteger, after a painting by Ludwig Michael Schneider.
- The 16-page glossy booklet contains notes in German, English and French plus a track and credits-list.
- Booklet and CD are stored in a standard jewel case with black tray.
- This CD is full silver with no IFPI code, .
- Recording: Hamburg-Harburg, Friedrich-Ebert-Halle, 1984 (Overture, Concertos); Cologne, Deutschlandfunk, Sendesaal, 6/1986 (Wind Concertos)
- ℗ 1984, 1987 (Wind Concertos) Deutsche Grammophon GmbH, Berlin
- This edition ℗ 2013 Deutsche Grammophon GmbH, Berlin
- Tracks 1 to 22 originally released as Archiv Produktion 413 788-1 and 413 788-2, 1984.
- Tracks 23 to 29 originally released on Archiv Produktion 419 633-2, 1987.
- This is not an individual release. It is CD 29 of the box set Archiv Produktion 1947-2013.
- Recorded 1984
- ℗ 1984, © 1984 Eckart Kleßmann
- Digital Recording
- Ⓟ 1984 Polydor International GmbH, Hamburg. Coproduction with WDR, Köln.
- Made in W.Germany by Polygram (label). Printed in West Germany by / Imprimé en RFA par Münstermann, Hannover.
- This CD has IFPI codes, which were not issued until 1994; therefore the CD was released after 1994.
- Digitally recorded at Friedrich-Ebert-Halle, Hamburg-Harburg, 1984
- Ⓟ 1984
- Made in West Germany / Printed in West Germany
- Made in France by PMDC (label). Printed in West Germany by / Imprimé en RFA par Münstermann, Hannover.
- Brazilian edition
- Compact Disc is manufactured by PolyGram in by Hanover, Germany (label). Printed in West Germany by / Imprimé en Allemagne par Neef, Wittingen. Made in West Germany.
Barcodes
- Barcode (Text): 0 28941 37882 8
- Label Code: LC 0113
- Matrix / Runout: 413 788-2 02 #
- Other (Suffix catalog# - boxed separately): A H
- Distribution Code (Boxed separately): POL 925
- SPARS Code: DDD
- Other (Rights Information): D.P.
- Matrix / Runout: 00289 479 137-2 01 ✳ 53230956 [4 x Universal logo]
- Mastering SID Code: IFPI LV26
- Mould SID Code: IFPI 0140
- Other (Inner Ring): MADE IN GERMANY BY EDC A
- Barcode: 0 28941 37881 1
- Matrix / Runout (Side A): 413 788-1 S1=2 320 1B Q
- Matrix / Runout (Side B): 413 788-1 S2=2 320 1 Q
- Matrix / Runout: 00289 413 788-2 04 ✳ 50968171
- Matrix / Runout: Made in Germany by EDC B
- Matrix / Runout (Logo - 4x): Universal
- Mould SID Code: IFPI 0131
- Barcode (Text): 028941378842
- Barcode: 028941378828
- Mould SID Code: IFPI 0274
- Other (Suffix catalog# - boxed in separately): A H
- Other (Distribution Code - boxed in separately): POL 925
- Other (SPARS Code): DDD
- Matrix / Runout: Made in Germany
- Matrix / Runout: 413 788-2 01 #
About Georg Philipp Telemann Musica Antiqua Köln, Reinhard Goebel
German Baroque composer and multi-instrumentalist (14 March 1681, Magdeburg, Germany - 25 June 1767, Hamburg, Germany).
Telemann was one of the most prolific composers in history and was considered by his contemporaries to be one of the leading German composers of the time. He was compared favorably both to his friend , who made him the Godfather and namesake of his son , and to , whom Telemann also knew personally. Telemann's music incorporates several national styles: French, Italian, and Polish. He remained at the forefront of all new musical tendencies and his music is an important link between the late Baroque and early Classical styles.
As a child he showed considerable musical talent, mastering the violin, flute, zither and keyboard by the age of ten and composing an opera (Sigismundus, on a text by Postel). His family did not approve of his involvement in music, and upon his mother's insistence, he entered the University of Leipzig to study law in 1701.
Within a year of his arrival in Leipzig he founded the student Collegium Musicum with which he gave public concerts (and which Bach was later to direct), wrote operatic works for the Leipzig Theater, and in 1703 became musical director of the Leipzig Opera and was appointed organist at the Neue Kirche in 1704. Needless to say, he dropped the study of law and pursued his career in music.
Telemann held important positions in Leipzig, Żary, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of the city's five main churches. Throughout his life he composed a year's worth of cantatas for regular church services and 78 services for special occasions totaling 1,043 cantatas, 40 operas, 600-700 orchestral suites, 44 passions, along with numerous concerti, sonatas and chamber music for various instrumental combinations.
Real Name
- Georg Philipp Telemann
