Review by Chris Loomis PI

The album Peer Gynt Suite No 1 And Suite No 2 by Edvard Grieg, Vienna State Opera Orchestra, Hermann Scherchen is a masterpiece that showcases the brilliance of Grieg's composition and the exceptional musicianship of the Vienna State Opera Orchestra. The album features two suites, each comprising four movements, which take the listener on a musical journey through the landscapes and moods of Norway.

The first suite opens with the famous "Morning Mood," a serene and peaceful piece that evokes the tranquility of a misty morning in the mountains. The second movement, "Ase's Death," is a poignant and melancholic piece that depicts the death of Peer's mother. The third movement, "Anitra's Dance," is a lively and playful piece that portrays the seductive dance of a young woman, while the fourth and final movement, "In the Hall of the Mountain King," is a dramatic and intense piece that builds up to a thrilling climax.

The second suite is equally impressive, starting with the hauntingly beautiful "The Abduction of the Bride," which portrays the kidnapping of Peer's bride by the trolls. The second movement, "Ingrid's Lament," is a melancholic piece that expresses the sorrow of a woman who has lost her love. The third movement, "Arabian Dance," is a lively and exotic piece that captures the spirit of the Middle East, while the final movement, "Peer Gynt's Homecoming," is a triumphant and celebratory piece that brings the album to a satisfying conclusion.

Summary by Chris Loomis PI

The Vienna State Opera Orchestra, under the direction of Hermann Scherchen, delivers a flawless performance that is both powerful and nuanced. The orchestra captures the essence of Grieg's music, bringing to life the vivid imagery and emotions that are woven into the compositions. The album is a must-have for anyone who appreciates classical music and the art of storytelling through music.