Ulver - The Assassination of Julius Caesar

kdespres

Review by Katie Despres

The Assassination of Julius Caesar, the eleventh studio album by Norwegian avant-garde band Ulver, is a riveting and ambitious musical journey. The album, released in 2017, is a departure from the band's previous experimental and atmospheric sound, incorporating elements of synth-pop, post-punk, and electronic music.

The album's opening track, "Nemoralia," sets the tone for the rest of the album, with its pulsating beats and atmospheric synths. The album's title track, "The Assassination of Julius Caesar," is a standout, with its haunting vocals and driving rhythm. "Rolling Stone" is another highlight, with its catchy chorus and infectious melody.

Throughout the album, Ulver's musicianship is on full display, with each track offering something new and exciting. The band's willingness to experiment with different genres and sounds is evident in tracks like "Southern Gothic," which incorporates elements of country and western music.

Table of Contents

Download

Filename: ulver-the-assassination-of-julius-caesar.rar
  • MP3 size: 32.4 mb
  • FLAC size: 377.1 mb

Tracks

TrackDurationPreview
Rolling Stone9:26
Nemoralia4:10
19693:59
Transverberation4:30
So Falls The World
So Falls the World5:57
Coming Home7:50
Southern Gothic3:40
Angelus Novus4:7

Video

Ulver - Southern Gothic
New music discussion: Ulver - The Assassination Of Julius Caesar
Ulver - Nemoralia

Images

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Catalog Numbers

  • HOM 010 LPT
  • HOM 010
  • HOM 010 LP

Labels

  • House Of Mythology
  • House of Mythology

Listen online

  • escuchar en línea
  • écouter en ligne
  • lyssna på nätet
  • online luisteren
  • ascolta in linea
  • online anhören
  • kuunnella verkossa
  • lytte på nettet
  • ouvir online

Formats

  • Vinyl
  • LP
  • Album
  • Limited Edition
  • Clear
  • CD
  • Unofficial Release
  • Gold
  • Standard Black Edition
  • Black/Gold Marble
  • 8 × File
  • FLAC

Companies

RoleCompany
Copyright (c)Ulver
Phonographic Copyright (p)Ulver
Licensed ToHouse Of Mythology
Recorded AtSubsonic Society
Mastered AtBladud Flies!
Lacquer Cut AtOptimal Media GmbH
Pressed ByOptimal Media GmbH
Manufactured ByOptimal Media GmbH

Credits

RoleCredit
DesignTrine + Kim
DrumsIvar Thormodsæter
Mastered ByMichael Lawrence
Mixed ByMartin "Youth" Glover, Michael Rendall
PercussionAnders Møller
ProducerUlver
Recorded ByUlver
BandJørn H. Sværen, Kristoffer Rygg, Ole Alexander Halstensgård, Tore Ylwizaker
GuitarDaniel O'Sullivan (tracks: IV, VI), Håvard Jørgensen (tracks: VII), Stian Westerhus (tracks: I, II)
SaxophoneDag Stiberg (tracks: VIII), Nik Turner (tracks: II)
VoiceRikke Normann (tracks: II), Sisi Sumbundu (tracks: II, VII)
Artwork [Cover ImageThe Rape Of Prosepina]
Artwork [EtchingThe Wolf And The Statue]
Lacquer Cut BySJ
StringsMartin 'Youth' Glover, Michael Rendall
SamplerMartin 'Youth' Glover, Michael Rendall
Musical AssistanceMartin 'Youth' Glover, Michael Rendall
PaintingJean-Léon Gérôme
PerformerJørn H. Sværen, Kristoffer Rygg, Ole Alexander Halstensgård, Tore Ylwizaker
Photography ByRobert F. Sargent
OtherMartin 'Youth' Glover, Michael Lawrence

Notes

  • Limited 180 gram clear vinyl housed in black poly-lined inner bag, thick (matte) card stock sleeve, 5mm spine, including a 12” matte paper booklet, 24 pages. All in protective PVC exterior sleeve. 500 copies available.
  • 20-page art booklet included.
  • Packaged in a jewel case with a transparent tray.
  • Limited 180 gram gold vinyl housed in black poly-lined inner bag, thick (matte) card stock sleeve, 5mm spine, including a 12” matte paper booklet, 24 pages. All in protective PVC exterior sleeve. 500 copies available.
  • Recorded and produced in a cold cell, Oslo, summer 2016–winter 2017. Drums tracked at Subsonic Society.
  • Mastered at Bladud Flies, Hastings, January 2017.
  • © & ℗ 2017 Ulver, under exclusive license to House Of Mythology.
  • 180 gram Marble vinyl (ltd to 300) housed in black poly-lined inner bag, thick (matte) card stock sleeve, 5mm spine, including a 12” matte paper booklet, 24 pages. All in protective PVC exterior sleeve.
  • Recorded and produced, in a cold cell, Oslo, summer 2016-winter 2017.
  • Drums tracked at Subsonic Society.
  • Mixed, London, January 2017, providing additional strings, samples and otherwise invaluable input.
  • Cover image: Gian Lorenzo Bernini, The Rape of Proserpina, 1621-1622, detail. Public domain.
  • Booklet: I "Lady Diana Spencer, soon to become the Princess of Wales, showing her wedding gown for the first time, turns as her bridesmaids set her train on arrival at Saint Paul's Cathedral for her wedding to Prince Charles in London, July 29, 1981" © Mal Langsdon/Reuters. II Wenceslaus Hollar, The Wolf and the Statue, 17th c. Public domain. III Jean-Léon Gérôme, Bonaparte before the Sphinx, 1867-1868, detail. Public domain. IV Rosedown Plantation, St. Francisville, Louisiana, 2008. Public domain. V Robert F. Sargent, Into the Jaws of Death, June 6, 1944. Public domain. VI François Gérard, Saint Teresa, 1827, detail. Public domain. VII Portrait of Astronaut Neil Armstrong, Commander of Apollo 11 Mission, NASA, 1969. Public domain. VIII Sværefjorden, Sogn, National Library of Norway, photographer and year unknown. Public domain.
  • © & ℗ 2017 Ulver, under exclusive license to House of Mythology.
  • Studious Decrepitude. Est. 2015
  • Black 180 gram vinyl housed in black poly-lined inner bag, thick (matte) card stock sleeve, 5mm spine, including a 12” matte paper booklet, 24 pages. All in protective PVC exterior sleeve.
  • Limited 180 gram gold/black marble vinyl housed in black poly-lined inner bag, thick (matte) card stock sleeve, 5mm spine, including a 12” matte paper booklet, 24 pages. All in protective PVC exterior sleeve. 300 copies available.
  • Available for purchase/download in various file formats on the Ulver Bandcamp page.

Barcodes

  • Barcode (Sleeve): 884388160491
  • Barcode (Backcover): 884388160477
  • Barcode: 884388160460
  • Mastering SID Code: ifpi L575
  • Matrix / Runout: AH73732-01
  • Barcode (Plastic Sleeve, Text): 8 84388 16048 4
  • Barcode (Plastic Sleeve, Scanned, EAN): 0884388160484
  • Barcode (Back Cover, Text): 8 8 4 3 8 8 1 6 0 4 7 7
  • Barcode (Back Cover, Scanned, EAN): 0884388160477
  • Matrix / Runout (Side A, Etched): BH69403-01 A1 SJ
  • Matrix / Runout (Side B, Etched): BH69403-01 B1 SJ
  • Barcode (Sleeve): 884388160477
  • Barcode (Sticker): 8 84388 16047 7
  • Barcode (Sleeve): 8 8 4 3 8 8 1 6 0 4 7 7
  • Matrix / Runout (Runout side A): BH69403-01 A1 SJ
  • Matrix / Runout (Runout side B): BH69403-01 B1 SJ
  • Matrix / Runout: manufactured by optimal media GmbH AH73732-01
  • Mould SID Code (Variant 1 - Found in matrix ring): IFPI 9710
  • Mould SID Code (Variant 2): IFPI 9712
  • Matrix / Runout (Side A): BH69403-01 A1 SJ
  • Matrix / Runout (Side B): BH69403-01 B1 SJ

About Ulver

télécharger l'album Ulver - The Assassination of Julius Caesarbaixar álbum Ulver - The Assassination of Julius Caesarlataa albumi Ulver - The Assassination of Julius Caesarlast ned album Ulver - The Assassination of Julius Caesarladda ner album Ulver - The Assassination of Julius Caesardescargar álbum Ulver - The Assassination of Julius Caesar
Genre-spanning group from Norway, active since 1993. On their demos and first album, "Bergtatt

Name Vars

  • Usder

Aliases

  • The Tricksters

Members

  • Tore Ylwizaker
  • Kristoffer Rygg
  • Carl-Michael Eide
  • Hugh Stephen James Mingay
  • Erik Olivier Lancelot
  • Håvard Jørgensen
  • Jørn H. Sværen
  • Daniel O'Sullivan
  • Robin Malmberg
  • Grellmund
  • Stian Thoresen
  • Ole Alexander Halstensgård
  • Torbjørn Pedersen
  • Ali Reza
kdespres

Summary by Katie Despres

The Assassination of Julius Caesar is a bold and daring album that showcases Ulver's versatility and creativity. It is a must-listen for fans of experimental and avant-garde music.

Comments

First things first, this is my second attempt to review this album. Much like my review of the follow-up, "Flowers of Evil", this is an album that grew on me the more I listened to it. In both cases, the albums did not immediately grab me, but instead planted a devious seed in my mind, and that seed quickly grew. I "get" these two albums now.Clearly, "The Assassination of Julius Caesar" and "Flowers of Evil" are two sides of the same coin. They are what I would call electro-pop, have 8 tracks, and have pretty distinct first and second halves of the album.The more accessible tracks, if I can call them that, are found in the front end of the album. With this release, "Nemoralia", "So Falls the World", and "Southern Gothic" are easily the best tracks on the album. The second track, "Rolling Stone", is a quite a bit more ... everything I guess. It's the longest track on the album, and arguably has the most "left field" ending of the album, reminiscent to The Beatles' track "I want you (She's so heavy)", only more chaotic. It is only surpassed in "unorthodoxy" by the final track, "Coming Home."The second half of the album starts with a track named "Angelus Novus", similar to Southern Gothic, but perhaps a notch below it's impact. It's still a nicely emotional song. The next two tracks, much like the preceding two, have a similar feel, in that they both are decent but lack any of the pizazz or hooks that many of the preceding tracks had.The album closer, "Coming Home", is more like what I would have expected an Ulver album in 2017 to sound like. It doesn't really have any sort of traditional song structure that I can hear, its more chaotic and loose, and without the vocals that make the rest of the album (and that make the entire Flowers of Evil album). I'm not certain that this track will ever grow on me, but 7/8 ain't bad!What else can I say? This album, along with "Flowers of Evil" and "Perdition City" are the cream of the crop for "non-metal" Ulver. This album will be going on my wall of fame.
Amazing
1:30 BBC News theme song. I can't unhear it now. Shit.
Espectacular
que cagada
Discovered this album by chance when it came out and became obsessed. Never heard of Ulver before. Now I love them.
Is there a genre this band *hasn't* covered?
I want to tell you some


*THIIIIIIIIIIIIIING*
This song gets stuck in my head sometimes when I sleep.
Da vontade até de xingar de tão bom que é. Ulver é bom folk, black metal, synth pop. Ta loko!!!!
"the grace of faded things"
Obrigado Jogabilidade! <3
Zajebiste w chuj. I loved this album and song
Hearing ans seeing this live was some how mindblow
I want to tell you something
About the grace of faded things
The draped compositions
Hiding from the new world
Behind old French doors
The last rays of the setting sun
On the cheeks of cherub faces
The traces of their tears

But you do not listen
Your mind is somewhere else
I speak with a frozen tongue
In a dead language

There' s a world between us
There' s a sunken garden
Love lies bleeding there
And words they mean nothing
To anyone anymore.
Sublime
Sublime!
Cheee que chulooo
absolutely love love ? love!!!❤!!!!❤
They played this yesterday, at Be Prog festival in Barcelona...stunning performance and visuals. You got me Ulver!
i don't like this depechemodesque version of ulver
Entre Pink Floyd y Depeche Mode, Ulver toca un temazo como este!
I would hate to slap some political meaning to this song in fear of getting it wrong, but it's obvious that Ulver here wants to send some sort of message, so let's break down the lyrics:

"I want to tell you something
About the grace of faded things"

Sounds like a person trying to talk about the values of the days past - a traditionalist perhaps? Someone yearning to go back to things that were cherished, but are now forgotten.

"The draped compositions
Hiding from the new world"

Draped Compositions might refer not just to the music of the past (classical) but also the things which make civilizations great, like philosophy, art, traditions, and also the way they are done that mold the society into something that works - a composition. These things are not thought of today, due to post-modernism.

"Behind old French doors
The last rays of the setting sun"

Old French doors is just something to help visualize the draped composition, the history of western thought. Behind the doors we can see the light slowly disappear, as if western tradition was fading.

"On the cheeks of cherub faces
The traces of their tears"

Cherubs are helpers of God, which were assigned to protect the Garden of Eden - the paradise. The tears they shed reflects their failure at protecting the garden of Eden.

"But you do not listen
Your mind is somewhere else"

Goes back to the first line, the person we're speaking to - a modern man. They do not listen because they are busy with entertainment, job, mortgage and all other things which are part and parcel of modern world - not enough time or desire to learn history or philosophy.

"I speak with a frozen tongue
In a dead language"

Talking about western tradition is difficult because many aspects of it are now taboo, and otherwise, most people won't understand what you're trying to tell them when you try to explain western tradition - a dead language.

Thoughts?
Please, upload "Rolling Stone" too! It's my favourite track from the last album. :)
solo nivel ULVER
Larga vida licántropos .
La elegancia hecha música