Review by Horace Taylor

Erased, the latest album by KMRU, is a mesmerizing exploration of ambient and experimental music. The Kenyan-born artist, whose real name is Joseph Kamaru, has created a collection of tracks that are deeply immersive and atmospheric, drawing the listener into a world of sound that is both haunting and beautiful.

The album is a masterclass in the use of texture and space, with KMRU layering field recordings, found sounds, and electronic instrumentation to create a rich and evocative sonic landscape. From the opening track, "Oloolua," with its pulsing rhythms and ethereal vocal samples, to the closing "Klang," which combines glitchy beats with shimmering synth pads, Erased is a journey through a sonic world that is at once familiar and otherworldly.

One of the standout tracks on the album is "Well," which features a haunting piano melody that is gradually enveloped by a dense fog of electronic noise and distortion. It's a track that is both beautiful and unsettling, and it perfectly encapsulates the mood of the album as a whole.

Throughout Erased, KMRU demonstrates a remarkable ability to create music that is both deeply emotional and intellectually engaging. This is an album that rewards close listening, with each track revealing new layers of detail and nuance upon repeated listens.

Summary by Horace Taylor

Erased is a stunning achievement from KMRU, and it cements his status as one of the most exciting and innovative artists working in experimental music today. Highly recommended for fans of ambient, electronic, and experimental music.