Review by Students' Union Canterbury College

Symphony No. 3 and Symphony No. 4 by Carl Nielsen, performed by the Seattle Symphony under the direction of Thomas Dausgaard, is a stunning example of the composer's work. The two symphonies, which were written in the early 20th century, are a testament to Nielsen's ability to blend traditional classical structures with modernist techniques.

Symphony No. 3, also known as the "Sinfonia espansiva," is a grand work that showcases Nielsen's skill at writing for large orchestras. The piece is notable for its use of vocal soloists, which adds a unique dimension to the work. The Seattle Symphony's performance is powerful and emotional, with the vocal soloists adding a haunting beauty to the piece.

Symphony No. 4, also known as the "Inextinguishable," is a more experimental work that showcases Nielsen's willingness to break with tradition. The piece is notable for its use of two sets of timpani, which creates a sense of conflict and tension throughout the work. The Seattle Symphony's performance is energetic and dynamic, capturing the intensity and excitement of the piece.

Summary by Students' Union Canterbury College

Symphony No. 3 and Symphony No. 4 by Carl Nielsen, performed by the Seattle Symphony under the direction of Thomas Dausgaard, is a must-listen for fans of classical music. The combination of Nielsen's innovative compositions and the Seattle Symphony's powerful performances make for an unforgettable listening experience.