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Beethoven, Solomon - Piano Sonatas Nos23 Appassionata 28 30 31
Review by Matt Jones
The album "Piano Sonatas Nos23 Appassionata 28 30 31" by Beethoven, Solomon is an exceptional collection of timeless classical music. The pianist's skilled and passionate performance of Beethoven's sonatas is a treat for the ears, and the album is a must-have for any classical music lover.
The album features four of Beethoven's most iconic piano sonatas - No. 23 in F minor, Op. 57 "Appassionata," No. 28 in A major, Op. 101, No. 30 in E major, Op. 109, and No. 31 in A-flat major, Op. 110. The sonatas are known for their technical demands and emotional depth, and Solomon's interpretation of them is nothing short of brilliant.
The album opens with the "Appassionata," a sonata that is known for its fiery and intense character. Solomon's performance captures the passionate and dramatic nature of the piece, with his fingers dancing over the keys with precision and power. The album then moves on to the more introspective and contemplative sonatas, with Solomon's playing imbuing each piece with a sense of emotional depth and sensitivity.
Table of Contents
Download
Filename: beethoven-solomon-piano-sonatas-nos23-appassionata-28-30-31.rar- MP3 size: 66.6 mb
- FLAC size: 828 mb
Tracks
| Track | Duration | Preview |
|---|---|---|
| II Vivace Alla Marcia | 5:29 | |
| I Moderato Cantabile, Molto Espressivo | 7:19 | |
| I Allegro Assai - Adagio - Più Allegro | 8:50 | |
| I Vivace Ma Non Troppo - Adagio Espressivo | 3:37 | |
| Piano Sonata No.28 In A, Op.101 | ||
| IV Fuga (Allegro, Ma Non Troppo - L'istesso Tempo Dell' Arioso - L'istesso Tempo Della Fuga - Meno Allegro) | 6:38 | |
| II Allegro Molto - Coda (Poco Più Mosso) | 2:00 | |
| Piano Sonata No.23 In F Minor, Op.57 "Appassionata" | ||
| Piano Sonata No.31 In A Flat, Op.110 | ||
| III Tema (Andante Molto Cantabile Ed Espressivo) - Variazioni I-IV | 13:09 | |
| II Prestissimo | 2:15 | |
| III Adagio Ma Non Troppo | 4:12 | |
| Piano Sonata No.30 In E, Op.109 | ||
| II Andante Con Moto - Variazioni I-III | 7:17 | |
| I Allegretto, Ma Non Troppo | 3:54 | |
| IV Tempo Del Primo Pezzo - Allegro - Tempo I | 7:28 | |
| III Adagio, Ma Non Troppo, Con Affetto | 2:07 | |
| III Allegro, Ma Non Troppo - Presto | 4:48 |
Images
Catalog Numbers
SBT 1192, SBT • 1192Labels
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Formats
- CD
- Compilation
- Remastered
- Mono
Companies
| Role | Company |
|---|---|
| Phonographic Copyright (p) | EMI Records Ltd. |
| Licensed From | EMI Records Ltd. |
| Copyright (c) | Testament |
| Recorded At | Studio 3, EMI Abbey Road |
| Remastered At | Abbey Road Studios |
Credits
| Role | Credit |
|---|---|
| Composed By | Ludwig van Beethoven |
| Engineer | Arthur Clarke (tracks: 8 to 10), Edward Huntley (tracks: 1 to 3), Francis Dillnutt (tracks: 4 to 7), Harold Davidson (tracks: 11 to 14) |
| Liner Notes | Bryce Morrison |
| Photography | EMI Records Ltd. |
| Piano | Solomon |
| Producer | Alan Melville (tracks: 4 to 7), Geraint Jones (tracks: 11 to 14), Walter Jellinek (tracks: 1 to 3), Walter Legge (tracks: 8 to 10) |
| Remastered By | Paul Baily |
Notes
- ℗ EMI Records Ltd.
- This compilation & digital remastering ℗ Testament © Testament 2000
- Issued under licence from EMI Records Ltd.
- Recorded on 24.X.1954 (tracks 1 to 3); 20.XII.1954 (4 to 7); 19.VI.1951 (8 to 10); 20-21 & 23.VIII.1956 (11 to 14).
- Total time: 79:15
- Tracks 1 to 7 - releases by HMV on ALP 1272 in 10/1955
- Tracks 8 to 10 - released by HMV on ALP 1062 in 2/1954
- Tracks 11 to 14 - released by HMV on ALP 1900 in 8/1962
- Title on spine: Solomon plays Beethoven: Piano Sonatas Nos.23, 28, 30 & 31
- Catalog number on spine: SBT • 1192
- 12-page booklet with liner Notes in English, German and French.
- Made in England
Barcodes
- Barcode (Text): 7 49677 11922 5
- Barcode (Scanned): 749677119224
- SPARS Code: ADD
- Matrix / Runout: 92968 SBT1192 CSV 1:1:1
- Mastering SID Code: IFPI L041
About Beethoven, Solomon
German composer and pianist, born in 1770 (baptized 17 December 1770) in Bonn, Germany and died 26 March 1827 in Vienna, Austria.
A crucial figure in the transition between the Classical and Romantic eras in classical music. Beethoven led Viennese Classicism to its highest development and paved the way for Romantic music.
Beethoven was the eldest son of a singer in the Kapelle of the Archbishop-Elector of Cologne and grandson of the Archbishop's Kapellmeister. He moved in 1792 to Vienna, where he had some lessons from Haydn and others, quickly establishing himself as a remarkable keyboard-player and original composer. By 1815 increasing deafness made public performance impossible and accentuated existing eccentricities of character, patiently tolerated by a series of rich patrons and his royal pupil the Archduke Rudolph.
Beethoven did much to enlarge the possibilities of music and widen the horizons of later generations of composers. To his contemporaries he was sometimes a controversial figure, making heavy demands on listeners both by the length and by the complexity of his writing, as he explored new fields of music.
Real Name
- Ludwig van Beethoven
Name Vars
- BEETHOVEN
- Beeshoven
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- beethoven
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- Μπετόβεν
- Бетховен
- Бетховен Людвиг Ван
- В. Бетховен
- Л. Бетговен
- Л. Бетовен
- Л. Бетховен
- Л. Бетховен - Anatoly Nikitin - Felicia Fondaminskaya
- Л. В. Бетховен
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- בטהובן
- ל. ו. בטהובן
- ל. ואן בטהובן
- بتهوفن
- بتهوون
- بيتهوفن
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- لودویگ وان بتهوون
- ÙüÈô§ó
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- ÙüÈüô§
- ÙüÈüô§ó
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